A Quote by Edward Weston

It's hard not to tell the truth with a camera. Artists are particularly good at that. — © Edward Weston
It's hard not to tell the truth with a camera. Artists are particularly good at that.
One thing we can probably agree on is that the truth, however we define it, is often hard to tell. It can be hard to tell the facts of the story, and it can be hard to tell its emotional truth too.
It's hard to get someone, particularly agents, to tell you the truth.
I don't paint, and I can't draw, but I see things, I think, quite well, and I love being able to freeze things with the camera, particularly the children. Then I discovered with the camera that you can tell a whole story with just freezing a moment in reality. I find it a very good way, a very satisfying feeling.
I think that's always the hope - I mean, I can't speak for others, but I think other artists, no matter what type of medium they are using - whether it be from painting to acting to dancing, songwriting, or anything like that - I believe the desire is to get to the truth, and I think it's really hard to tell the truth.
My McQueen particularly was hard to make, because my father was dying. I see it, and I see my confusion, my pain, my everything. I thought that it was really interesting to be able to put the people from behind the camera in front of the camera as they make it.
Bad artists ignore the darkness of human existence. Good artists often get stuck there. Great artists embrace the full catastrophe of our condition and find beyond it an even deeper truth of peace, healing, and redemption.
I have a hard time with historians because they idolize the truth. The truth is not uplifting; it destroys. I could tell most of the secretaries in the church office building that they are ugly and fat. That would be the truth, but it would hurt and destroy them. Historians should tell only that part of the truth that is inspiring and uplifting.
All you have to do to be a camera actor is tell the truth.
Sometimes I don't tell the truth, which is telling the truth about not telling the truth. I think people don't tell the truth when they're afraid that something bad's going to happen if they tell the truth. I say things all the time that I could really get into trouble for, but they kind of blow over.
I'm not particularly needy, and I'm not particularly anxious. I don't look for a director to tell me I'm doing a good job or that I'm great. I don't need to be stroked. It's more my own yardstick.
I love the luxury of the camera. The camera does so much for you. I like the secrets a camera can tell.
If I'm exhausted, physically and particularly emotionally, I can't tell what's good and I can't tell what's bad and I'm useless.
I have a hard time keeping a story straight when I tell the truth because when you start lying you have to remember what you said, and I'm not very good at that.
I was a guitar player on the streets of Asbury Park and already a member in good standing amongst those who lie in service of the truth - artists with a small A. But I held four clean aces. I had youth, almost a decade of hardcore bar band experience, a good group of homegrown musicians who were attuned to my performance style, and a story to tell.
What makes a good follower? The single most important characteristic may well be a willingness to tell the truth. In a world of growing complexity leaders are increasingly dependent on their subordinates for good information, whether the leaders want to hear it or not. Followers who tell the truth and leaders who listen to it are an unbeatable combination.
At the end of the day, you're trying to - be it on theatre or on the camera - tell the truth and be honest in the moment.
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