A Quote by Edwidge Danticat
When you write ,it's like braiding your hair. Taking a handful of coarse unruly strands and attempting to bring then unity.
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When you write, it’s like braiding your hair. Taking a handful of coarse unruly strands and attempting to bring them unity. Your fingers have still not perfected the task. Some of the braids are long, others are short. Some are thick, others are thin. Some are heavy. Others are light. Like the diverse women of your family. Those whose fables and metaphors, whose similes and soliloquies, whose diction and je ne sais quoi daily slip into your survival soup, by way of their fingers.
My hair story has been unique because my mom's a German Jew, so her hair is way different than my hair. She was always learning on my hair growing up, but I would sit there for hours, and she did learn how to braid hair. Early on, it was a lot of tears while my mom was braiding my hair.
I have a handful of people who work for me - those who do our hair and make-up, ADs - they're like family, so taking care of them is necessary.
I crossed the room, and what you did was to feel my hair over and over again and in different ways, touch it, with the palm of your hand... felt it, strands of hair, with your fingers, touched it as if it were cloth, the way a child touches its favorite surfaces.
In my work, hair denotes the flow of life prior to being freed from pain. I fill the hair with human struggles such as deep-rooted anxieties, stubborn attachment to life, obsessions, and restrictions. Appearing fluid like a live organism, the hair symbolizes longevity and patience, but when it appears coarse, the hair expresses an energetic life force and freedom.
Where there is no purity, there is no Unity. Without Unity you cannot attain Divinity. Then your life is just a waste. First purity, next Unity, then you realize your Divinity.
It is not a good idea, either, to attach material such as Krystal Flash or Flashabou, then trim all strands at one spot. This gives most of the reflectiveness at one location - where the strands were severed. Instead, clip off the strands at different lengths along the entire body - that way you'll see little sparkles of light throughout the pattern
Your culture demands that you bring some kind of crisis to your work and therefore you can not bring any unity to it. In order to bring crisis into your work you have to bring it to a state of expectancy. In other words you have to leave your work in the state of mind of being a question.
I like to put coconut oil in my hair if it's looking dry. It's so unruly. It has a mind of its own.
Around shows, when we're doing really strenuous stuff on my hair - styling with heat, adding things, braiding things, pinning things - I like to give my scalp and my hair a rest. We usually have a show once a week or so, so I try to deep condition with Pantene Daily 3 Minute Miracle Deep Conditioner once a week.
I can recall an instance where I was in a meeting at work giving a presentation in front of my board of directors. I was taking questions at the end and someone asks, 'Is that your hair real?' The man then reached out and started stroking my hair. It was completely bizarre to me.
My hairstylist taught me a trick for my hair. You section off your hair and put them up in these crazy little knots and then it looks like you curled your hair. It's saved me so much time 'cause on the road you don't have time or plugs to plug your curling iron in.
I think, when I write, one of the things that I'm really attempting to do is I'm attempting to humanize my characters.
Talking to a therapist, I thought, was like taking your clothes off and then taking your skin off, and then having the other person say, "Would you mind opening up your rib cage so that we can start?
A hot wind was blowing around my head, the strands of my hair lifting and swirling in it, like ink spilled in water.
The most difficult part of any crime novel is the plotting. It all begins simply enough, but soon you're dealing with a multitude of linked characters, strands, themes and red herrings - and you need to try to control these unruly elements and weave them into a pattern.
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