A Quote by Edwin Arlington Robinson

Do you hear the children singing? — © Edwin Arlington Robinson
Do you hear the children singing?
When I'm sitting in the church alone, I can hear singing of the old people. I can hear their singing and I can hear their praying, and sometimes I hum one of their songs.
You start singing by singing what you hear. So everyone, when they first start singing, they naturally are singing like whatever they're hearing, because that's the only way you learned how to sing. So when I was growing up on Lauryn Hill, when I started singing her songs, I literally trained my voice to be able to do runs.
Singing for stage, if you don't hear yourself, that's when you push, and that's when you can hurt your voice sometimes. So if I can hear myself in my ear, it really helps me to find that balance of how loud I needed to be singing.
I hear a lot of people singing in funny voices and singing like they're stupid. Singing in a deliberately fey and dumb and childish way. And I find it to be a disturbing trend.
We hear the ambient noise of children singing. We hear lions and tigers roar. Hyenas laugh. Some jungle bird or howler monkey declares its existence, screeching a maniac's gibberish. Our entire world, always doing battle against the silence and obscurity of death.
When you're singing you can hear the echo of people in the audience singing every single word with you, and that was that big dream that I had for myself. It's happening.
The one thing I find about singers in the business is that they often don't get the right education. I hear a lot of them singing and when they get to 30, 40 years old they wont be able to sing because they are not properly trained. A lot of people singing from their throat instead of singing from their diaphragm.
I hear America singing, the varied carols I hear.
In the midnight of a soul's unsleeping, hear the waterfall of women weeping. Hear the distant noise of traffic stalling, hear the prostituted children calling.
I used to imagine that making it in music - really making it in music - is if you're an old man going by a schoolyard and you hear children singing your songs, playing jump-rope, or on the swings. That's the ultimate. You're in the culture.
When I hear myself singing, I hear Iggy Pop and Jimi Hendrix. There's a conversational thing going on. I suppose it depends on which The Pretenders song you're listening to.
I love singing. I've never felt I've had a great voice but I feel I've gotten better. It's funny. I can hear my voice aging and getting stronger. I've relaxed about my singing so I'm hearing it the way I like it.
Occasionally I play the music for my mother when she demands to hear it and she always just says, 'Who is that singing? I don't like the singing.' And then she says 'Who's doing all that bumpety-bump noise?' It's all noise backing up horrible singing as far as she's concerned. She's not a show-biz mother.
I must absorb everything while I'm still singing and step onto the stages of my many homes, and look out at the familiar surroundings, at the people who have come to hear me, to hear music.
If you write a song, and you go into a restaurant, and there's a guy with a piano singing and he's playing piano, singing your song, or you hear it at a wedding or at an airport... it's fun!
I look for songs that the listener, when they hear it, they believe what I'm singing about, that I know what I'm singing about. That's my whole deal. I try to choose songs that a male or a female can perform and relate to.
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