A Quote by Edwin Catmull
We've always had ups and downs at Pixar, starting with the high we felt doing something we'd never done - 'Toy Story' - and the low we felt right after when we realized we'd messed a bunch of things up along the way.
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After we finished 'Toy Story 2,' we talked about going right into making 'Toy Story 3,' because we had an idea that we thought had some promise. But there were a bunch of boring contractual problems going on between Disney and Pixar at the time that kept us from making the movie.
After my mother passed away, I felt as though I would never have a relationship as strong as the one that I had had with her. Then, after a lot of ups and downs, I started dating again - but I realised pretty quickly that I was never going to write cheesy love songs.
I had some big ups and downs when I was in my 20s and the one thing I learned was, no matter how low it gets, something good will come along - something always comes out of that dark period.
But because they didn't see each other very often, their relationship had more ups and downs than either of them had experienced before. Since everything felt right when they were together, everything felt wrong when they weren't.
I sort of set myself really high standards which is good and bad. If I know that I've done all I can to prepare, that's when I race the best and in '09 I was going through a lot of emotional ups and downs and I was never as fit as I would have liked to have been. So I never felt comfortable.
It never felt real to me. I never felt I had complete ownership over Bond. Because you'd have these stupid one-liners - which I loathed - and I always felt phony doing them.
I encountered producers who wanted to hang out after we worked, and when I refused, they wouldn't let me come back and work again... I would've have way more opportunities if I had succumbed. But it never felt right. I always felt like I was going to be successful, and I didn't want to compromise my morals.
I always say I never felt 'latched' to a gender. I just kind of always felt like myself, and I never felt like I had to do certain things or be a certain way to fit into a certain mold.
My mom always brought home a present once a week for all of us. We never felt like we ever needed anything. We never felt poor. So I never felt I had to go out and do something wrong to get money.
In high school I was the dog, always, and I never have felt comfortable or right in my body, and part of my whole exhibitionist thing has probably been a way of testing to see whether or not I really was this repulsive creature that I felt like for so long.
I started working professionally as soon as I could, doing weddings and things like that in high school, while everyone else was having keg parties. I just felt destined to do it and really committed and driven; it was something that just felt right all my life.
In terms of work, I never felt that I've done it right. I always want to have done it differently, to have done it better, a different way.
I didn't learn about depression or anxiety at school. So when I had to go to my parents to say 'I need help, I need to go to therapy,' I felt like this weird, messed up kid. And I wasn't, but I felt that way.
I am not a person who yells at all, but I realized that I have always felt so good after doing the Tarzan yell, after doing Charo, or screaming as Eunice.
After the novel was published, I came to feel that I couldn't call myself Orthodox anymore. It's so patriarchal, anti-women, anti-gay. There was something about writing 'Disobedience'... it felt like I had put it all in the book. I had done my best by it, recorded what it meant for me. I felt I was done.
First of all, I had the desire for that format [silent movie], and then when I was talking to people, I felt that people needed justification. Why are you doing a silent movie? Is it just for your own pleasure? I felt it was not enough for them so I realized I have to choose the subject that will make things easier for them and to tell the story of a silent actor makes sense for doing a silent movie.
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