A Quote by Edwin Land
We have to keep in practice like musicians. Besides, there are still potentialities to be realized in color film. To us, it's just like bringing up a child. You don't stop after you've had it.
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Really great moral teachers never do introduce new moralities: it is quacks and cranks who do that.... The real job of every moral teacher is to keep on bringing us back, time after time, to the old simple principles which we are all so anxious not to see; like bringing a horse back and back to the fence it has refused to jump or bringing a child back and back to the bit in its lesson that it wants to shirk.
Theratre is not like like in film and TV, where you have to stop and go back and keep redoing the same three pages for two hours. You get to go through the whole 80 pages of the script, which is incredible. You get to keep acting on the feelings you had just moments before. You don't have to psych yourself up for the scene. You can just go off what you were already feeling.
I've realized I've become a bit reactive to each film I do. After 'The Road,' I was desperate to do something that had color and warmth to it and a stronger sense of community.
I'm only 24 so I like to think I'm still close enough to 17 to still remember what it was like. Besides, I could just fake it and get away with it... it's not like there are any teenagers that still read comics.
Honestly, I always told my coaches my whole career - we'll practice two-minute drills in practice, like, once a week and everything - I'm just like, 'Those are my favorite time of football.' I'm out there in total control, just getting everything lined up, getting everybody on the same page, and obviously, usually it's pass after pass after pass.
It took a long time to get that film made. I went in for it almost right after or like maybe six or seven months after I had my son and actually auditioned for the Regina King part and they just were like, 'No, you're just - you just don't really seem the part.'
I realized that food was actually a metaphor for bringing us all together. It's about us communicating and being like family.
Children are loving, they don't gossip, they don't complain, they're just openhearted. They're ready for you. They don't judge. They don't see things by way of color. They're very child-like. That's the problem with adults: they lose that child-like quality.
Just checking up on someone with a, 'Hey, how are you doing?' usually means the most to someone. I try my best to regularly check in with friends who are musicians just because I know we go through things where we feel like people only hit us up because they need something from us like a verse or a promo.
Three years after my first trip to Haiti, I realized there was another emotional note that had to be reckoned with: the intense, vibrant color of these worlds. Searing light and intense color seemed somehow embedded in the cultures that I had begun working in, so utterly different from the gray-brown reticence of my New England background. Since then, I have worked predominantly in color.
'Black film,' that term allows studios to just marginalize a movie and say, 'We've made our black film. We've made our film with people of color in it,' as opposed to, 'I just feel like people of color should be in every genre.'
As a child, I thought I hated everybody, but when I grew up I realized it was just children I didn't like.
I've scrubbed many, many landmarks. I scrubbed the Kremlin back in '98. We had a mandatory-toothbrushing parade; we had the text of the mandatory-toothbrush law translated into Russian. And we had like 30 Russians; we had musicians; we had the giant toothbrushes. The police came and told us to stop, and we stopped.
Like probably many people of little education who find themselves, like pop stars or film stars, suddenly lauded by the whole world, it is very difficult if you have not had a mother bringing you up who was quite stern and strict.
Everybody has been saying 'Srimanthudu' is the best film of my career. After watching the film, Dad told me that he's never seen me perform like this. I just couldn't stop myself from crying.
Every black film feels like it's Tyler Perry, and that just needs to stop. But people seem to slowly be looking for what else is out there - 'Is there something else besides this type of humor?' 'I'm tired of seeing men in dresses.'
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