A Quote by Edwin Muir
Dostoyevsky wrote of the unconscious as if it were conscious; that is in reality the reason why his characters seem 'pathological', while they are only visualized more clearly than any other figures in imaginative literature... He was in the rank in which we set Dante, Shakespeare and Goethe.
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In the literature of France Moliere occupies the same kind of position as Cervantes in that of Spain, Dante in that of Italy, and Shakespeare in that of England. His glory is more than national - it is universal.
A worldview is not the same things a formal philosophy, otherwise it would only be for philosophers. Even ordinary people have a set of convictions about how reality functions and how they should live. Some convictions are conscious while others are unconscious but together they form a consistent picture of reality.
There are even more statues of Robert Burns than of any other figure in world literature. Indeed if we discount figures of religion, then only Christopher Columbus has more statues than he worldwide.
White people use their literature to maintain culture. That's why you find references to Milton and Spencer and Shakespeare and Dostoyevsky in contemporary novels.
Dante would not have forgotten: they say that when Dante was a boy, he was asked: Dante what is the best food? to test his memory. Eggs, replied Dante. Years later, when Dante was a grown man, he was asked only: how? and Dante replied: fried.
While Poe and the Symbolists were exploring the irrational in literature, Freud had begun to explore the resonant figure/ground double-plot of the conscious and unconscious.
I'm dyslexic. If you can reconcile yourself to not being able to burn through books, which you shouldn't any way, you can slow the whole process down. Then, because of my disability, there is more for me in imaginative literature than there is for other people.
The great decisions of human life have as a rule far more to do with the instincts and other mysterious unconscious factors than with conscious will and well-meaning reasonableness. The shoe that fits one person pinches another; there is no recipe for living that suits all cases. Each of us carries his own life-form- an indeterminable form which cannot be superseded by any other.
To me this world is all one continued vision of fancy or imagination, and I feel flattered when I am told so. What is it sets Homer, Virgil and Milton in so high a rank of art? Why is the Bible more entertaining and instructive than any other book? Is it not because they are addressed to the imagination, which is spiritual sensation, and but immediately to the understanding or reason?
There is a popular cliché ... which says that you cannot get out of computers any more than you have put in..., that computers can only do exactly what you tell them to, and that therefore computers are never creative. This cliché is true only in a crashingly trivial sense, the same sense in which Shakespeare never wrote anything except what his first schoolteacher taught him to write-words.
The man who has successfully solved the problem of his relations with the two worlds of data and symbols is a man who has no beliefs. With regard to the problems of practical life he entertains a series of working hypotheses, which serve his purposes, but are taken no more seriously than any other kind of tool or instrument. In other words, symbols should never be raised to the rank of dogmas, nor should any system be regarded as more than a provisional convenience.
The process [of mass-media deception] has to be conscious, or it would not be carried out with sufficient precision, but it also has to be unconscious, or it would bring with it a feeling of falsity and hence of guilt.... To tell deliberate lies while genuinely believing in them, to forget any fact that has become inconvenient, and then, when it becomes necessary again, to draw it back from oblivion for just so long as it is needed, to deny the existence of objective reality and all the while to take account of the reality which one denies all this is indispensably necessary.
Reason cannot desire for man any condition other than that in which not only every individual enjoys the most absolute, unbounded freedom to develop himself out of himself, in true individuality, but in which physical nature, as well, need receive no other shaping by human hands than that which is given to her voluntarily by each individual, according to the measure of his wants and his inclinations, restricted only by the limits of his energy and his rights.
Not like Homer would I write, Not like Dante if I might, Not like Shakespeare at his best, Not like Goethe or the rest, Like myself, however small, Like myself, or not at all.
The founding father of Albanian literature is the nineteenth-century writer Naim Frasheri. Without having the greatness of Dante or Shakespeare, he is nonetheless the founder, the emblematic character. He wrote long epic poems, as well as lyrical poetry, to awaken the national consciousness of Albania.
Homer, Vergil, Dante, Shakespeare, Goethe, Proust - not exactly authors one expects to whiz through or take lightly, but like all works of genius, they are meant to be read out loud and loved.
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