A Quote by Edy Ganem

I'm kind of fixated with old Hollywood, like Marilyn Monroe. — © Edy Ganem
I'm kind of fixated with old Hollywood, like Marilyn Monroe.
Hollywood didn't kill Marilyn Monroe, it's the Marilyn Monroes who are killing Hollywood.
Even being close to L.A., I was always inspired by old movies and Marilyn Monroe and the glamour of Hollywood.
Ah, Marilyn, Hollywood's Joan of Arc, our Ultimate Sacrificial Lamb. Well, let me tell you, she was mean, terribly mean. The meanest woman I have ever known in this town. I am appalled by this Marilyn Monroe cult. Perhaps it's getting to be an act of courage to say the truth about her. Well, let me be courageous. I have never met anyone as utterly mean as Marilyn Monroe. Nor as utterly fabulous on the screen, and that includes Garbo.
Everybody who's played Marilyn Monroe before has gone down in flames. It's impossible to capture Marilyn Monroe.
I loved the movies and I wanted to be like Marilyn Monroe. I thought she was so glamorous and everyone seemed to love her. I wanted to be like that and I told everyone I would be the next Marilyn Monroe.
Like me, Marilyn Monroe had suffered at the hands of some not very nice men. She was used, unappreciated and struggled to find herself. She worked her way up in Hollywood with stars in her eyes and a kind heart, but found that Hollywood wasn't always as kind in return. She may have been publicly adored, idolized and lusted after, but she felt alone and trapped.
I love the old Hollywood glam look: platinum blonde hair, the perfect red lip. It's very Marilyn Monroe and shows a pure feminine beauty.
Every old Hollywood starlet would sing in movies, there'd always be some big dance sequence. Think of Marilyn Monroe singing 'Diamonds Are a Girl's Best Friend.'
I wrote a novel called 'Blonde,' which is about Norma Jean Baker, who becomes Marilyn Monroe, which I called a fictitious biography. That uses the material as if it were myth - that Marilyn Monroe is like this mythical figure in our culture.
I wrote a novel called "Blonde," which is about Norma Jean Baker, who becomes Marilyn Monroe, which I called a fictitious biography. That uses the material as if it were myth - that Marilyn Monroe is like this mythical figure in our culture.
When I think about old Hollywood and the glamour of those days, women like Grace Kelly, Marilyn Monroe, and Audrey Hepburn were not dressing the way some girls dress today. There was a certain mystery about them, and I feel like that's gone in our industry.
I've always had a thing for old movies, old Hollywood. I've always just loved watching Marilyn Monroe and Greta Garbo. In all of those old movies from the '40s and '50s, women put themselves together so well, with a little bit of drama and elegance. That was fascinating to me growing up.
Old Hollywood icons such as Marilyn Monroe, Vivien Leigh, and Bette Davis are so inspiring; their style is romantic and feminine and their glamour mesmerizing. I love the idea of channeling that spirit on your wedding day.
I loved all the other movies, and I loved all the other movie stars, but I was very aware of the fact that I didn't look like Marilyn Monroe - although I still wanted to be Marilyn Monroe. Then Josephine Baker popped up, and she wasn't the maid - she was the star of the show. To me, it was mind-blowing.
I don't want to be Marilyn Monroe. In many ways, that's a good comparison. Because Marilyn Monroe was a sexpot, all that stuff that I have no interest in. For me, it's much easier to just try to make people laugh than to try to be the hottest thing in the world.
Marilyn Monroe Productions was the first female-owned production company in Hollywood. She paved the way for women in Hollywood, and every single woman owes something to her for that, whether they agree with her image or not.
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