A Quote by Efren Ramirez

'Napoleon Dynamite' blew up my career. — © Efren Ramirez
'Napoleon Dynamite' blew up my career.
The idea of 'Napoleon Dynamite' as an animated series made perfect sense to me.
I get more people approaching me about how good I was in 'Napoleon Dynamite' than being in Coldplay.
When you do a film as unique and original as 'Napoleon Dynamite,' it's hard then try to repeat what audiences loved the first time.
You re-watch 'Napoleon Dynamite', and there's a lot of thrift shopping that goes on in that movie; there's a lot of funny stuff. It's definitely amusing, and paying 99 cents for a samurai sword is amazing.
Napoleon - the people who were becoming Napoleon's generals realized that for him, it was not about spreading freedom and revolution; it was about creating a new empire with Napoleon the dictator or the emperor.
I loved it, it's such fun. I like that people are seeing it and then talking about it. Like when I took my son and his friends to see Napoleon Dynamite last year, we spent the next six weeks trying to explain it.
I really like 'Passion of the Christ.' I like that movie. I also like 'We Were Soldiers,' and 'Braveheart.' And 'Napoleon Dynamite' - that movie was funny.
A guy like Benoit, he's really good and a lot like Dynamite. Dynamite, just because he was the original, was the best. But, you know, Benoit now is by far better. Dynamite Kid is nothing now.
I love nuclear. It does this radiation thing that's tricky. But they're good solutions. You know, it was interesting; recently, in Connecticut this natural gas plant blew up 11 guys. It just blew them up.
The new French theme park based on Napoleon is named Napoleon's Bivouac, and will honor Napoleon with rides, battle reenactments, and the brutal March on Moscow ride. That's a walk-in freezer you stand in for 18 months while you try to eat a dead horse.
A sudden gust of rain blew over them and then another - as if small liquid clouds were bouncing along the land. Lightning entered the sea far off and the air blew full of crackling thunder. The table cloths blew around the pillars. They blew and blew and blew. The flags twisted around the red chairs like live things, the banners were ragged, the corners of the table tore off through the burbling billowing ends of the cloths.
I came into having an artist's career in this very sheepish and directionless way. It's hard to explain, but I was 18 years old and I was ready to go to college; that was the next step for me. Then suddenly I had a song that blew up... and I had this artist's career and I was on tour with these big names and I didn't know what I was doing.
When I was young, I believed in three things: Marxism, the redemptive power of cinema, and dynamite. Now I just believe in dynamite.
I had a world, and it slipped away from me. The War blew up more than the bodies of men....It blew ideas away.
The more money you spend, the more you need to make back, and the more pressure there is to appeal to everyone - which to the studio means that the specificity and uniqueness must be watered down. But I think mass audiences like things that are more specific and tend to have a voice, like 'Napoleon Dynamite' or 'Superbad.'
When I came out, I was 68, and I was totally prepared for my career to recede when I spoke to the press for the first time. What happened after that blew me away. I started getting more offers. My career blossomed.
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