A Quote by Eileen Atkins

It's no use ignoring looks or charm if you're going into the theatre. — © Eileen Atkins
It's no use ignoring looks or charm if you're going into the theatre.
As for theatre, there's ups and downs to everything. Theatre is ephemeral. But that is part of its charm because you can always say the production was better than it was.
We were watching the first series recently, and it has a charm, a kind of amateur charm. At that point we didn't involve ourselves technically at all - we just messed about and told our jokes - and it looks a bit like that.
Charm is the next best asset after looks and brains - and can almost make up for looks.
I would do theatre till I die. Theatre keeps your honesty alive. You can't pollute yourself. You learn a lot, and you use theatre techniques in life.
There's a great charm in theatre; I enjoyed doing it for twelve years and did lots of plays. At this chapter of my life, I am a cinema actor, and I would like to continue to be so, and at some point I would return to the theatre.
If an irreducible distinction between theatre and cinema does exist, it may be this: Theatre is confined to a logical or continuous use of space. Cinemahas access to an alogical or discontinuous use of space.
As my passion is theatre when I do a film I'm taking time out from my theatre career. So, I'm desperate to get back into the theatre. So, I have to make sure that I put my foot down, especially with the agents and stuff, and say: "Hey no, I'm doing some theatre!" It is hard but it matters so much to me that it's just something that's going to be necessary and people will have to deal with it.
The theatre starts every night at half past seven, and I like the rhythm of going to the theatre, parking the car, going to the stage door; I've grown up with all of that. I'd love to do more theatre - I mean, I shouldn't be telling the world that I can't remember lines any more, but I find it more and more difficult, so I don't know.
I didn't grow up a theatre kid, going to theatre camps. I played sports, and that was my main direction. But luckily, I never had to choose between sports and theatre.
As much as the mystery element is all a lot of fun, when you do go to 'Edwin Drood,' you're going to a theatre to see a show about going to a theatre and what that relationship between actors and audiences has been for years.
Only in the theatre was it possible to see the performers and to be warmed by their personal charm, to respond to their efforts and to feel their response to the applause and appreciative laughter of the audience. It had an intimate quality; audience and actors conspired to make a little oasis of happiness and mirth within the walls of the theatre. Try as we will, we cannot be intimate with a shadow on a screen, nor a voice from a box.
The fact of the matter is that you can use your beauty and use your charm and be flirtatious, and you can get people interested in your beauty. But you cannot maintain that. In the end, talent is the only thing. My work is the only thing that's going to change any minds.
I didn't particularly aim to be a Shakespeare actor, but I suppose I had a certain gift or it; I certainly got offered lots of it. I liked Complicite and Shared Experience and Kick Theatre, and all the small theatre companies that were getting going. I wanted to be like that, making original theatre.
I am essentially someone who comes from the theatre. I love the theatre. Unfortunately, theatre doesn't pay the bills. Only in theatre abroad, I get a wage.
Before I worked on film, I studied the theatre, and I expected that I would spend my whole career in theatre. Gradually, I started writing for the cinema. However, I feel grateful towards the theatre. I love working with spectators, and I love this experience with the theatre, and I like theatre culture.
Charm" — which means the power to effect work without employing brute force — is indispensable to women. Charm is a woman's strength just as strength is a man's charm.
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