A Quote by Eileen Atkins
It's extraordinary to hear waves of laughter after you've been playing something, night after night, to nothing. That's why I'm still hooked on acting: the terror of the possibility of things going wrong, the thrill when they go right, and the joy of the company.
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The process is to me is going onstage night after night after night after night until I get a new hour. And then once that hour is solidified and recorded, I move on.
I wish I had a really cool, esoteric answer, but what the process is to me is going onstage night after night after night after night until I get a new hour. And then once that hour is solidified and recorded, I move on.
I'm not trying to take anything away from film acting, because it's also really hard, and I worship the people who are great at it. But to actually have to go out on stage night after night and do it with your audience right there is so wild and scary and exciting and fun and all the things that I remember loving about it.
I'm really glad I didn't have kids earlier, because I probably would have ignored them. I was so into my career. I could just go and play a ton of shows, night after night after night. I can't do that anymore.
For the past several years, I have gone to sleep every night in this same little pocket, the most uneventful piece of time I could find. Same exact thing every night, night after night. Total silence. Absolutely nothing. That's why I chose it. I know for a fact nothing bad can happen to me in here.
When you're playing the same dirty dozen night after night, the moments that keep it fresh are those when you just let go and trust everyone.
It took forever for me to get work because I was a political comic, and now it's become good business, and God knows how long that'll last. You have to do it night after night after night to kind of make it. I still find myself on 'Piers Morgan' or on some show and I think, 'I hope this is funny.'
The man I marvel at is the one that's in there day after day, and night after night and still puts the figures on the board. I'm talking about Pete Rose, Stan Musial, the real stars. Believe me, especially the way we travel today, flying all night with a game the next night and then the next afternoon, if you can play one-hundred and sixty-two games, you're a man.
No player in NBA history has driven me crazier, night after night after NIGHT, than the Thunder storm that can be Russell Westbrook, No. 0.
All the stars all the galaxies are in the same spot night after night after night. And Planet Nine, when we see it, will slowly move across the sky.
If you look at the Intercontinental Champion, historically, that has always belonged to the best of the best in-ring talent, the best wrestler, whatever you want to call it, that came out night after night, produced night after night - and that will be me.
We've always had the sensibility that you work on the set, and you structure it, much like a play, where once you've got the lines down and blocking right, you freeze it, and then you go out and do what you're doing night after night. You want to structure something that has form and that builds the right dynamic from start to finish.
Playwrights are like men who have been dining for a month in an Indian restaurant. After eating curry night after night, they deny the existence of asparagus.
After 9/11, it became clear that we [the United States] had to do several things to have a successful strategy to win the global war on terror, specifically that we had to go after the terrorists wherever we might find them, that we also had to go after state sponsors of terror, those who might provide sanctuary or safe harbor for terror.
I've had the chance to watch Metallica's James Hetfield from the side of the stage night after night, listening to his monitors, and his playing is so perfect. Slash is an amazing lead guitarist, but when you listen to his rhythm playing, you can hear how he pulls everything together with such a great feel, which is the most important thing.
Night after night, through years of performing and directing, I've stood in awe of the audience, of its capacity for response. As if by magic, masks fall away, faces become vulnerable, receptive. Filmgoers do not defend their emotions, rather they open to the storyteller in ways even their lovers never know, welcoming laughter, tears, terror, rage, compassion, passion, love, hate--the ritual often exhausts them.
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