A Quote by Eileen Myles

People love discovering you. The thing about not being historically a mainstream writer is that everyone feels like you're theirs, you're their friend. — © Eileen Myles
People love discovering you. The thing about not being historically a mainstream writer is that everyone feels like you're theirs, you're their friend.
The thing about not being historically a mainstream writer is that everyone feels like you're theirs: you're their friend.
It's like being in love, discovering your best friend.
The thing about living in New York as a writer is that you hit that age where it feels like everyone has a book all at the same time. It's like that one year where you're invited to twenty weddings.
Writing in a lot of ways feels more like excavation than construction. It feels like you're uncovering this thing bit by bit, discovering what it is, instead of constructing it upwards.
There has to be some mystery in life, because the joy of being a writer and the joy of being a musician is the joy of discovery. I don't want someone discovering for me what I should be discovering on my own. If a person is discovering for me, then they're living for me. It's my responsibility, indeed it's my privilege, to go out and discover the world for myself.
I know what love feels like. That is one thing I have found. That is one thing that is much clearer because of fibromyalgia. Because once you experience real pain you recognize the vibration, the feeling of being healthy, happy and loved. If I'm not living from my heart, I get sick. I need to do things that feed my soul, like being with people I love, or playing my guitar, or listening to music.
I feel like a lot of artists these days are going out with being a feminist and making it cool, and being outspoken and letting it be mainstream, which is a great thing. I absolutely think it should be mainstream to be a feminist, it should be a no-brainer to speak up about stuff and have a voice.
How often I have tried to tell writing students that the first thing a writer must do is love the reader and wish the reader well. The writer must trust the reader to be at least as intelligent as he is. Only in such well wishing and trust, only when the writer feels he is writing a letter to a good friend, only then will the magic happen.
It's funny how comedy is, you look at people like French and Saunders, when they started out they were very alternative. A lot of those alternative comedians have ended up being mainstream, they know that longevity is about being mainstream.
Poetry is one of the most full ways of discovering what it feels like to be a human being in this particular moment, in this particular set of concerns. It's all about discovery.
I think the first thing - if you want to be a writer - the first thing you need to do is write. Which sounds like an obvious piece of advice. But so many people have this feeling they want to be a writer and they love to read but they don't actually write very much. The main part of being a writer, though, is being profoundly alone for hours on end, uninterrupted by email or friends or children or romantic partners and really sinking into the work and writing. That's how I write. That's how writing gets done.
Not everyone is in love and nor does everyone have the courage for love. In our country, most people simply fantasise about being in love. I don't know about other countries but in India, to love is to battle with innumerable social and religious barriers.
That's the cool thing about having a best friend. They know what your pain feels like already, so you don't have to explain it.
I learned to stop being English about things like love. If you make a film in England about love, it's hugely complicated. It's all about saying what the weather is like, and you're secretly telling someone you love them. You know what the English are like; they're very repressed people. You don't get that in India. India is incredibly un-cynical about love. It's a not a complicated thing. It's me, you, love. Let's go.
The thing that I think about most often is the loss of biodiversity. We talk about these food issues so often with concern to historically excluded communities, but I'm concerned with everyone having access to healthy foods. Consumers across the board are being robbed of biodiversity.
Growing up in South London, we went to a school where there were not that many Jewish kids. I love being Jewish in L.A.; it feels really normal. The culture seems to be integrated into Hollywood. Everyone uses Yiddish words like 'schlep' and 'schmooze.' That's what I love about New York, too.
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