A Quote by Eileen Myles
Art feels like it has this frame, and it's either outside or inside.
Related Quotes
Take the case of the infinite ocean. There is no limit to its water. Suppose a pot is immersed in it: there is water both inside and outside the pot. The jnani sees that both inside and outside there is nothing but Paramatman. Then what is this pot? It is 'I-consciousness'. Because of the pot the water appears to be divided into two parts; because of the pot you seem to perceive an inside and an outside. One feels that way as long as this pot of 'I' exists. When the 'I' disappears, what is remains. That cannot be described in words.
Lips move; lips touch; lips signal. Lips are on the outside for show, and on the most secret inside of your mouth. Lips frame words that lie. Lips frame a hole that wants to be filled.
I am a black man inside and outside and you are white men on the outside, but inside, you are Africans like me.
The illustrator is essentially a reporter: his subjects come from the outside, lit by a flash. A subject comes to the classical artist from inside, and when he discovers confirmation of it in the outside world he feels that it has been there all the time.
We have no longer an outside and an inside as two separate things. Now the outside may come inside and the inside may and does go outside. They are of each other. Form and function thus become one in design and execution if the nature of materials and method and purpose are all in unison.
Yes, but if we hurt the Abadonna in the process, we’re going to find out what it feels like to be turned inside out. Literally. Like most beings, I actually like the fact that my skin is outside my body. (Urian)
Things outside you are projections of what's inside you, and what's inside you is a projection of what's outside. So when you step into the labyrinth outside you, at the same time you're stepping into the labyrinth inside.
Grown-ups don't look like grown-ups on the inside either. Outside, they're big and thoughtless and they always know what they're doing. Inside, they look just like they always have. Like they did when they were your age. Truth is, there aren't any grown-ups. Not one, in the whole wide world.
Freedom for me is a strict frame, and inside that frame are all the variations possible.
The Big Valbowski is a lot like a Hakeem Olajuwan, either he's taking the hook shot from the outside or driving down the lane on the inside, he always scores!
For a long time I've lived with the inadequacy of that frame to tell everything I knew, and I think a lot about what is outside of the frame.
It feels incredible to be outside when I’m supposed to be inside. The sensation of freedom is intoxicating. - Sara
I see the carpet reflecting that narratological structure of the storytelling, with Scheherazade as the outside frame story on the outside, with the stories woven on the inside. It's also demonstrative of the infinity of it, with no beginning and no end. The carpet is also a kind of metonym for cinema, this idea that the flat surface carries a terrific depth of imaginative field while remaining totally flat.
Art to me means lot of things - images and words. I may be no artist myself, but I recognise the pleasure you get from a new proverb or a new painting. It puts you in a particular frame of mind. Visually I like art, philosophically I like art.
Art is a way of showing the outside world what your inside world is like.
To me style is just the outside of content, and content the inside of style, like the outside and the inside of the human body - both go together, they can't be separated.
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