A Quote by Einar Selvik
Learning to play old instruments was a challenge. How do you learn an instrument no one has played in hundreds of years? The ones that are used today, I was adamant not to hear anyone else play that instrument. I want to approach them as a child and on the basis of each instrument. I wanted my voice to come through, not someone else's.
Related Quotes
Don't be lazy. Learn your instrument and the kids should be learning that stuff. We have to get back to the musicianship of the music. It's called music, so at some point somebody has to learn how to play an instrument.
I do so play an instrument! I play air! I play the air with my fingers, and I'm in touch with the deepest emotions within. It took me a while to learn that whatever I feel like doing is the right thing. If I want to play an invisible instrument, I will.
I sometimes like to think of God as a great symphony and the various spiritual paths as instruments in an orchestra. The gift that you have is like music waiting to be played. You need only to find the instrument that will best bring it out. You alone can never play all the instruments, and your music might not find voice in all the instruments. All you can do is find the instrument that suits you best, play it as well as you can, and add your music to the great symphony of divine creation.
I always think of a voice as an instrument, whether a voice is a trumpet, or violin, or bass. You know what I mean? A horn or wind instrument versus a string instrument. Horn instruments are definitely more toward jazz.
Switch to piano! No. Really, if you like an instrument that sings, play the saxophone. At its best it's like the human voice. Of course, it would be best if you could actually sing with your own voice. The saxophone is an imperfect instrument, especially the tenor and soprano, as far as intonation goes. Therefore, the challenge is to sing on an imperfect instrument or 'voice' that is outside of your body. I love that challenge and have for over forty-five years. As far as playing jazz, no other art form, other than conversation, can give the satisfaction of spontaneous interaction.
I like to use my voice as an instrument and just play along with the music. That's really how I tend to my voice. The content usually comes after or during that process of just trying to be an instrument.
My first instrument was my voice. I was always singing and writing melodies when I was a little kid. I just sort of taught myself whatever was around. If there were instruments around, I'd play them. I always liked the idea of not being shown but coming up with my own energetic connection to the instrument.
The basic idea of a hyper instrument is where the technology is built right into the instrument so that the instrument knows how its being played - literally what the expression is, what the meaning is, what the direction of the music is.
I think when you're learning an instrument, you are restricted because much of it is the noise of individual theory and your ability to play the instrument.
My instrument is the studio. When I play my instrument, I'm creating music using the studio. All the other instruments serve it.
I actually think that bass is probably the instrument that has evolved in a quantum leap compared to other instruments. It's the instrument that's evolved the most, especially with how it's perceived. And even how it's played, and how it's viewed from a point of view of commerce, like with the music industry.
I bought my first bass because I wanted to be in a Band, and heard that it was the easiest instrument to play. A friend told me that it was the sexiest instrument.
The cello is such a versatile instrument. It can rock like the hardest rock guitar, and it can sing like the human voice. We couldn't do what we do without the classical training. It's a hard instrument to play. There are no frets, and it takes finesse and technique to play.
Some of the guys I played with .. didn't go around learning more about their instruments from an intellectual point of view. All they wanted was to play hot jazz, and the instrument was just a means. I'd imagine that a lot of them criticized me-said my technique was too good. Something like that. But I've always wanted to know what made music. How you do it, and why it sounds good. I always practiced, worked like hell.
The kind of churches we played in, it wasn't about how good you could play your instrument, it was about how much you enjoyed playing your instrument.
The text for me is the musical score. I'm the instrument. My voice is the instrument. My voice is articulating the sounds which are coming through the imaginings and visitations in my head, and I'm making these sounds but I've selected them from an ocean of sound.
Related Authors
Deeyah Khan Quotes
Norwegian
Director
Edvard Munch Quotes
Norwegian
Artist
Erik Naggum Quotes
Norwegian
Programmer
Gro Harlem Brundtland Quotes
Norwegian
Politician
Henrik Ibsen Quotes
Norwegian
Poet
Jo Nesbo Quotes
Norwegian
Author
Jostein Gaarder Quotes
Norwegian
Author
Karl Ove Knausgard Quotes
Norwegian
Author
Kygo Quotes
Norwegian
Musician
Magnus Carlsen Quotes
Norwegian
Celebrity
Morten Harket Quotes
Norwegian
Musician
Morten Tyldum Quotes
Norwegian
Director
Ole Gunnar Solskjaer Quotes
Norwegian
Coach
Ole Hallesby Quotes
Norwegian
Theologian
Sigrid Quotes
Norwegian
Musician
Varg Vikernes Quotes
Norwegian
Musician