A Quote by E.J. Bonilla

For a long time I didn't know what I wanted or what I loved to do. Friends had that blessing and I remember thinking when I would have my turn. Then, in 9th Grade I sort of fell into playing Danny Zuko randomly in that years GREASE themed portion of the dance show. The moment I hit the stage I think something in me knew. Even in rehearsals. I'd fallen in Love.
I don't even know how many times I auditioned for Danny Zuko in 'Grease.'
I knew I loved football before I even played it. Uh, but the first time I stepped out on the field playing for the Lakeshore Redskins, I knew that I loved this game. I knew that this was something I wanted to do. And I was only 6 years old, but I loved it.
Earwolf had approached me a long time ago, even before I had started the 'Pod F. Tompkast.' I knew that I wanted to do a podcast, and I knew everyone there and that it was something for me to do, but I didn't know quite what I wanted to do yet.
I knew Danny DeVito and he knew me, so he wanted me to try Death to Smoochy. I loved that stuff and had a great time doing it.
I wanted to entertain and make people laugh. I think it really hit in third grade, but once I was in high school, I joined chamber choir. I wanted to do musical theater, too, but they had rehearsals at the same time. That was a bit of 'Sophie's Choice.'
My father would lift me high. And dance with my mother and me and then. Spin me around til I fell asleep. Then up the stairs he would carry me and I knew for sure I was loved.
The dreamer in her Had fallen in love with me and she did not know it. That moment the dreamer in me Fell in love with her and I knew it
I was Danny Zuko in 'Grease,' and I was in the musical 'Sweet Charity' and then in the musical 'On the Twentieth Century.' They were great. I mean, singing isn't really my strong suit, but I just really enjoyed it.
I always knew I wanted to dance. I started ballet when I was three years old, and I just knew it was something that I loved and that I wanted to do.
After I finished working on the movie, I went back into the show again playing Riff, so it was an incredible time because I loved playing Riff in the theater and, of course, I loved playing Bernardo in the film. We had such a really beautiful time. We knew we were working on something of quality.
I think I fell in love with her, a little bit. Isn't that dumb? But it was like I knew her. Like she was my oldest, dearest friend. The kind of person you can tell anything to, no matter how bad, and they'll still love you, because they know you. I wanted to go with her. I wanted her to notice me. And then she stopped walking. Under the moon, she stopped. And looked at us. She looked at me. Maybe she was trying to tell me something; I don't know. She probably didn't even know I was there. But I'll always love her. All my life.
I absolutely love what I do. And I want to dance for as long as I can and feel good about what I'm putting out there on the stage. But my goal has always been to be a principal dancer with ABT. Before I knew that there had never been a black woman, that was always my goal. I wanted to dance Odette-Odile and Kitri and "Don Quixote" and Aurora in "Sleeping Beauty." So that's still my goal. But knowing that it's never been done before, I think makes me fight even harder.
The only lie I really remember from my adolescence was when I was in sixth grade and I was dropped off with a couple of friends at the movie theater to go see a movie, I can't remember which one it was, and we went to go see this movie instead that was rated R. That was sort of a defining moment, that was probably the first time I had ever lied to my parents about something.
When I'm happy, when I'm enjoying life, I'm home, I'm surfing, I'm spending time with my wife, my friends and I'm not thinking about the pain. And then the moment I encounter something that feels difficult, I feel like that's when, for me, I turn to writing and thinking and maybe a song comes from that.
In 2006, when doing a live stage show in Ireland, I tried for the first time to instantly induct a subject on stage, something I had never done before, nor did I know if it would ever work. The result almost cost me my career; the man I grabbed and instantly inducted went out cold and fell to the floor.
But I think we both knew, even then, that what we had was something even more rare, and even more meaningful. I was going to be his friend, and was going to show him possibilities. And he, in turn, would become someone I could trust more than myself.
This site uses cookies to ensure you get the best experience. More info...
Got it!