A Quote by EJ Johnson
I just wanted to feel sexy and get male attention and get guys and do that whole experience because I didn't really have that before. And so when I started to get it, I just took it and ran with it.
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School was not a good experience. I would get bullied. It was really hard for me to get along with people who didn't have the same goals, so I just wanted to get to California.
Other people get moody in their forties and fifties - men get the male menopause. I missed the whole thing. I was just really happy.
I was anxious to get started, There was so much anticipation. I wanted to get in the routine
of playing games. It was just nice to be on a team, not competing against these guys in camp [but] trying to
work together to win.
I just wanted to do something that would get peoples' attention. And not only that, but get my foot in the door and be creative. I wanted to do something that was empowering to women, as well as get peoples' attention.
I got my transferrable skills from working at entry-level, gauging what I wanted from my career, and making sure I had what it took to get the one I truly wanted. But now there's a Catch 22: school leavers need experience to get jobs, but they can't get experience without jobs.
It all started with the most basic level of Uta Hagen, right at the beginning. I'm like, 'Really? I came to grad school; I'm going to do the 'Respect for Acting'?' And I realized the importance of that, because it was really to just get you to get rid of everything. Get rid of everything you've learned and just start from the bottom up.
When self-publishing started, it was mostly people who really couldn't write. And they just wanted to get their book out, and they couldn't get traditional deals.
As bad as I disagreed on stuff, I wanted to get a technical foul, but I didn't. When guys on the team see me get technical fouls, it tends to trickle down to the team. I just took it and dealt with it.
I want to work for what I have. If feel if you work for what you have instead of it being just given to you, people respect you a lot more because you understand what it takes, you've been there and done it. No one can just say it was easy because you took it. You didn't just get it. You took it.
I just wanted to have a look at my whole musical career, get right back to when I started and why I started doing it in the first place.
I was born in an odd spot and was a very sensitive kid. My feelings could get hurt so easily because I always wanted to be loved, I wanted to be touched, I wanted to touch somebody. I wanted everybody to love me, so I think I was louder than I should have been. I was just trying to get attention. I always felt like I was somebody special, maybe it's because I needed to be somebody special.
I think Memento movie was hard because people didn't get it, they just didn't understand it. Not from the stage when we read the script and liked it. It's sort of a famous story now how we finished the movie and showed it to distributors and nobody wanted it. So it wasn't just they didn't get the script, they really didn't even understand the movie when it was done. But I think that was a particularly hard one. I don't think it was harder because we were girls, but I do think obviously there are particular challenges to working in a male-dominated industry.
It's not like I was trying to be sexy but I had to get fit because I had to be able to do stunts. Also I wanted that, if Bond took his clothes off, he looked like a man who did what he did, which was kill people for a living. I thought the only way to do that was to work out and get fit and buff and get physically into shape.
As a writer, you know what the purpose of the scene is. It really has nothing to do with the actor so you have to really get out of that space because for actors it's a micro-focus and then you figure out your arc through what the writers have given you to say. But that arc is just one little piece of the huge arc of the whole film. It took a while to get out of that.
I started 'SNL,' and I became the one who did impressions. I did that, but then I wanted to get an original character on, and that took a long time to get one on that stuck. And then I got Vinny Vedecci on - 'Oh great' - and then it took a couple more seasons to get Greg the Alien on. You have to have some patience.
I met my manager when I was in high school and I just started playing guitar. He came from a line of managing incredible artists. He said instead of opting for the quick fix he wanted me to go out and live my life and get some experience under my belt and keep in touch. It took me a long time to get to where I am but I wouldn't change it for nothing. It's been very valuable. Life happened and then the music came.
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