A Quote by Ekaterina Sedia
The bird Gamayun was related to Alkonost and Sirin in some vague fashion-even the most casual observer would've noticed that all three of them were not entirely birds; they had the faces and breasts of women, severe but beautiful. And when their lips opened, they sand in women's voices, deep and rich and bittersweet.
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I've always been an ironic dreamer, unfaithful to my inner promises. Like a complete outsider, a casual observer of whom I thought I was, I've always enjoyed watching my daydreams go down in defeat. I was never convinced of what I believed in. I filled my hands with sand, called it gold, and opened them up to let it slide through. Words were my only truth. When the right words were said, all was done; the rest was the sand that had always been.
My mother and my two grandmothers, I was lucky to have three women around me growing up that were very special, very elegant women, very beautiful women. They were my first step into the beauty world, let's say, and then the fashion world, of course.
During the first campaign, one of my jobs as my husband's spouse was to travel around the country and really listen to women. There were voices that were new to me: the voices of military spouses, many of them women, and veterans.... I was overwhelmed by their challenges, and the notion that we as a country don't even know that these women exist, because we live in a country where one percent of the population protects the rights and freedoms of the other 99 percent of us. I thought that if I had the opportunity to serve as First Lady, I was going to use this platform to be their voice.
Women are always complaining about men's fascination with breasts. But what if men were absolutely indifferent to breasts? What would women do then with these things that serve one function once or twice in a lifetime, and the rest of the time are just in the way?
if networks of women are formed, they should be job related and task related rather than female-concerns related. Personal networks for sociability in the context of a work organization would tend to promote the image of women contained in the temperamental model - that companies must compensate for women's deficiencies and bring them together for support because they could not make it on their own. But job-related task forces serve the social-psychological functions while reinforcing a more positive image of women.
Women, I learned, adapted.
At first..they seemed so fragile, so dependent on fathers and husbands and brothers and lovers. Gradually, though, I noticed how supple their lives were beneath the surface. Then I realized it was this flexibility that enabled them to survive...that sooner or later, by choice or by chance, most women faced the task of adapting to a future on their own. When at my most optimistic, I thought of it as independence; in darker moods, as survival. Either way women had to do it.
I had very supportive parents that made the way for me, even at a time when there were very few women - no women, really; maybe two or three women - and very few, fewer than that, African-American women heading in this direction, so there were very few people to look up to. You just had to have faith.
When I grew up, it was a time when women were just supposed to be cute and not have many opinions. My mother and her friends were quite different. They were all the most beautiful women you've ever seen ... and they were very strong women.
Between lips and lips there are cities of great ash and moist summit, drops of when and how, vague comings and goings: between lips and lips as along a shore of sand and glass the wind passes.
I happen to think Latinas, Latin women, are the most beautiful women in the world. So that's what I'm going to draw. I love women from all cultures, of course, but if I was going to deal with any of them, that would be No. 1 for me.
The most beautiful women I know are passionate, curious, funny and have a deep sense of purpose and they are all over 70! Finding these qualities in myself, and celebrating them in other women is the starting place of being Gorgeous for Good.
All the American women had purple noses and gray lips and their faces were chalk white from terrible powder. I recognized that the United States could be my life's work.
Women want the fairytale. Not all women, of course, but most women grow up dreaming about the kind of man who would risk everything for them, even knowing they might get hurt.
Most feminists in France came to feminism after '68 as a result of the hypocrisy they experienced in leftist movements. In these movements, where everyone believed there was going to be true equality, fraternity between men and women, and that together they were going to struggle against this rotten society, even there they noticed that the leftists, the militants, kept them "in their place." Women made the coffee while the others did the talking; they were the ones who typed the letters.
Our fashion is for everyone and, throughout the years, we have had the possibility of working with the world's most beautiful and charming women and men. There is no person in particular who we would like to work with that we haven't already worked with.
I'm inspired by all those women in the '60s - they look so put-together and cool at the same time, and they all were moms - moms and career women. I do wear heels, though. Pretty much always. I need to feel good about myself, so even if it's casual, I'll slip them on.
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