A Quote by Ekta Kapoor
Through these years, I have attempted to create magical moments between my characters because, be it television or films, life is about the moments we create while living through it.
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It's been really important to me to create moments where there's a breath or moments where there's a laugh or moments where there's real life that's allowed to seep in through the cracks of whatever melodrama is happening, because that's what does happen in life.
You have to be able to sustain life. So moments are going to be lighter, but moments are also going to be heavier. I think just the understanding that life goes in a million different directions, and hopefully, if you find excitement by what these characters are experiencing and what they're living through, and you're impacted by them as human beings, then that's the sustainability of the show [This is Us].
I take the really sad moments with me to the court. I'm able to transform all that energy, and from it create strength, faith, and a will to honor everything I've gone through. I use the memory of those painful moments as a weapon to keep fighting.
I think life is really hard sometimes. It's not easy to wake up every day and go through what you go through. But the beautiful moments that you share with people that you love, or even experience alone, are worth all of the pain and sorrow. Those moments should be cherished, and I think that's what music is all about-to remind people of the beautiful moments that are in everybody's life
This is the world. I don't really believe in hell or heaven or an after life at all, I believe this is it. It can be a paradise for you, if you've got the right mindset. Or it can be a total nightmare. The song is just about remembering these moments of, you know, these epiphanies or magical moments of clarity that I think everybody has at some point in their life, often, while they're taking acid or something like that, or while they're doing really intense yoga.
I think living in the West, we live in a culture where everybody strives for perfection, whether it's in body, health, spirit, skin, hair, nails. Perfect happiness would be a constant state of bliss, which doesn't exist. Growing up and going through the loss I went through, I never had a moment where I believed a constant state of bliss was possible. Instead, I tried to create many moments. But, I didn't know how to get there. Because of what I went through, I have a natural tendency towards darkness. Though it may be in my DNA as well.
When we make films - even 2D films - you're always trying to create this illusion of 3D, anyway. You're trying to create a believable world with characters walking, in and out of the perspective, to create the illusion that there's a world. The desire and drive to create this illusion of three-dimensional space is something that is true about every kind of film because you want the audience to really be experiencing it, first hand. It's a natural extension of the storytelling and the process of filmmaking.
The habits of craft, developed day in and day out over a working lifetime, create moments of astonishment, sublime and magical effects, precisely because the writer is not thinking overtly about making art.
I've been very lucky in my long life. On three continents, in diverse cultures, through happy moments, not-so-happy moments, and moments as marvelous as this one, I've had the privilege of working with the cinema's greatest masters.
There are moments when you feel free, moments when you have energy, moments when you have hope, but you can't rely on any of these things to see you through. Circumstances do that.
When people are like, 'Life is good,' I go, 'No, life is a series of disastrous moments, painful moments, unexpected moments, and things that will break your heart. And in between those moments, that's when you savor, savor, savor.'
When we wrote 'Avenue Q,' we worked hard to create something that could be funny and satirical but also had some surprise moments of heart, moments when the music itself could become a central player and create something sweet and moving.
Honestly, when you're writing you try to stay on the story, on the character's mind, trying to throw stuff at them. There is danger, and the scares have to kick in the right places with the drama. And you try not to do too much to try to create those moments. Those moments create themselves.
I think of my life as a series of moments and I've found that the great moments often don't have too much to them. They're not huge, complicated events; they're just magical wee moments when somebody says 'I love you' or 'You're a really good at what you do' or simply 'You're a good person'.
Years were passing through the spaces between moments.
We create through our voice, through the power of our voice. So, when a person frees up their voice energies, from a yogic standpoint, they're increasing their potency as creators, to create in their life whatever it is they choose to create.
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