A Quote by El Lissitzky
We believe that the elements in the chemical formula of our creative work, problem, invention, and art, correspond to the challenges of our age.
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Through our own creative experience we came to know that the real tradition in art is not housed only in museums and art galleries and in great works of art; it is innate in us and can be galvanized into activity by the power of creative endeavour in our own day, and in our own country, by our own creative individuals in the arts.
The art of our time, sacred art included, will necessarily be characterized by a certain poverty, grimness and roughness which correspond to the violent realities of a cruel age.
The refusal to be creative is an act of self-will and is counter to our true nature. When we are open to our creativity, we are opening to God: good, orderly direction. As we pursue our creative fulfillment, all elements of our life move toward harmony. As we strengthen our creativity, we strengthen our connection to the Creator within. Artists love other artists. Our relationship to God is co-creative, artist to artist. It is God's will for us to live in creative abundance.
Me and Kanye work awesome together. He's a creative man, I'm a creative man, we put our ideas together, it's like the perfect formula.
The problem of evil, that is to say the reconciling of our failures, even the purely physical ones, with creative goodness and creative power, will always remain one of the most disturbing mysteries of the universe for both our hearts and our minds.
In a sense, as we are creative beings, our lives become our work of art.
I see the main problem as a spiritual one, not a resource problem, or a problem with this or that government, but a larger problem centered around human beliefs, the troublesome elements founded in our mythology. Our problematic mythology is collapsing all around us. It is a mythology that is predatory.
Our time and attention is scarce. Art is not that important to us, no matter what we might like to believe... Our love of art is often quite temporary, dependent upon our moods, and our love of art is subservient to our demand for a positive self image. How we look at art should account for those imperfections and work around them. Keep in mind that books, like art museums, are not always geared to the desires of the reader. Maybe we think we are supposed to like tough books, but are we? Who says? Many writers (and art museums) produce for quite a small subsample of the... public.
We're all just a bundle of habits shaped by our memories. And to the extent that we control our lives, we do so by gradually altering those habits, which is to say the networks of our memory. No lasting joke, or invention, or insight, or work of art was ever produced by an external memory. Not yet, at least.
The truth is every problem can't be solved by government. Many are caused by the moral breakdown in our society. And the answers to those challenges lie primarily in our families and our faiths, not our politicians.
The greatest opportunities for creative transformation are often lodged in our discontents. Art is an alchemical process that feeds on emotional energy. When we realize that a perfect equilibrium in our lives might not be the best basis for making art, then we can begin to re-vision our stress points. So rather than try to rid your life of tension, consider doing something more creative with it.
I believe that every innovative thought comes from a creative mindset....A creative mindset is what drives our world, and art is the base of that.
We may lay it down as an incontestible axiom, that, in all the operations of art and nature, nothing is created; an equal quantity of matter exists both before and after the experiment; the quality and quantity of the elements remain precisely the same; and nothing takes place beyond changes and modifications in the combination of these elements. Upon this principle the whole art of performing chemical experiments depends: We must always suppose an exact equality between the elements of the body examined and those of the products of its analysis.
Our love of art is often quite temporary, dependent upon our moods, and our love of art is subservient to our demand for a positive self-image. How we look at art should account for those imperfections and work around them.
That's probably the key to our success and our longevity, sticking to our formula and what we do best, the hardcore Mobb Deep sound, rather than chasing trains. But we're always experimenting with the art and the creativity of hip-hop.
One of the great challenges of our age, in which the tools of our productivity are also the tools of our leisure, is to figure out how to make more useful those moments of procrastination when we're idling in front of our computer screens.
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