A Quote by El-P
I would feel pretty embarrassed if I was doing what I do and I wasn't at least attempting the eloquent translation of the human experience in some way.
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We feel properly embarrassed when we are caught doing something that makes us look inept, knuckleheaded, or inappropriate. Maybe the difference is this: we feel embarrassed because we look bad, and we feel shame because we think we are bad. When we are embarrassed, we feel socially foolish. When we are shamed, we feel morally unworthy.
Acting, at least for me, is very unreal, and when I'm doing it, I actually feel embarrassed.
When we translate, we always to some extent betray the text we are translating. That is why translation is so hard and thankless. All you can do is to fail in the least egregious way possible.
I'm not someone who's particularly in touch with the way they feel. I've heard it said that you should be a 'human being' not a 'human doing', but I'm a human doing, very much so.
If you experience that feeling of being in a rut in your life, then something's not right. A lot of people who feel that way don't take the time to say, 'O.K., well, what am I doing? Is that what I want to be doing? What is it making me feel this way?' You have to identify what specifically is making you feel stuck.
You [President Kennedy] have made some pretty strong statements about their being defensive and that we would take action against offensive weapons. I think that a blockade and political talk would be considered by a lot of our friends and neutrals as being a pretty weak response to this [the Cuban missile crisis]. And I'm sure a lot of our own citizens would feel that way too. In other words, you're in a pretty bad fix at the present time.
Please. Don’t switch off my mind by attempting to straighten me out. Listen and understand, and when you feel contempt don’t express it, at least not verbally, at least not to me.
I feel like I have more experience with publishing humor than pretty much any editor I'm going to be dealing with so sometimes I'll get a little bit nuts if I write something I know is good a certain way, and some editor because of some restriction he has and wants to change it that I know is going to make it less funny that'll piss me off and then I'm inclined to go, "Well, hey I've been doing this a long time, maybe you should..." That doesn't happen that often, but I'm more likely to say that now than I would have been a long time ago. Because dammit, I'm infallible!
On stage you never watch yourself. You just experience it, and then you go home, and you feel pretty good if you gave a pretty good performance or crappy if you didn't. But in TV and film, you actually have to experience it while you're doing it, and then you have to watch it. And then when you're watching it, you watch it with a different sensibility than how you experienced it.
Not that I ever felt the necessity of proving that all human beings suffer the same way, feel joy the same way, but it happened on my way - when I get close to these people, just by the simple intervention of translation I can actually reach them and ask them something, and their reaction is as I expected. I see that the relationship goes so smoothly, and I realize that cultural languages and specificities are nothing but simple obstacles that you can easily overcome. It's obvious that human beings are the same wherever they are.
Human existence is a brutal experience to me... it's a brutal, meaningless experience - an agonizing, meaningless experience with some oases, delight, some charm and peace, but these are just small oases. Overall, it is a brutal, terrible experience, and so it salvation is what can you do to alleviate the agony of the human condition, the human predicament? That is what interests me the most.
I was far too embarrassed to share the experience of Indian food at school. As a kid, you're desperate to fit in, to assimilate in some way, and everything about me stood out.
The practice of translation rests on two presuppositions. The first is that we are all different: we speak different tongues, and see the world in ways that are deeply influenced by the particular features of the tongue that we speak. The second is that we are all the same - that we can share the same broad and narrow kinds of feelings, information, understandings, and so forth. Without both of these suppositions, translation could not exist. Nor could anything we would like to call social life. Translation is another name for the human condition.
I've done some things I'm embarrassed about, and I like to tell people about them so that maybe they feel less embarrassed or alone when they do something they're unsure about.
When I started singing, I was going to school. I remember some of the people in school singing, and they had a choir. I would just watch and listen. Finally I started at least attempting to try to do what they was doing. When I was younger, we started going to church. I can't say that we were always, you know, the most church-going people.
I think that, given that some people feel very embarrassed by it, it isn't too difficult to breastfeed a baby in a way that's not openly ostentatious.
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