A Quote by El-P

There's a responsibility as a musician to do the music that you want to hear. — © El-P
There's a responsibility as a musician to do the music that you want to hear.
I feel as a singer and musician, it's my responsibility to talk about social issues, and you will hear about them in my music as well.
I'm lazy. I don't practice enough. I do other stuff. I'm not a musician's musician, and I don't necessarily know if I want to be. When I hear something and want to work on it, then that's what my project will be.
I was raised a musician and I played classic music, violin, in orchestras and music comedy theaters, I have music running around in my head all the time, and if I hear music that's too interesting, I have to pay attention to it.
Basically, at some point, one day maybe you can expect to hear some of my music. I haven't really done that yet because my younger brother is a musician and really talented and I want him to come out with his music first.
Most people define themselves by what they do - 'I'm a musician.' Then one day it occurred to me that I'm only a musician when I'm playing music - or writing music, or talking about music. I don't do that 24 hours a day. I'm also a father, a son, a husband, a citizen - I mean, when I go to vote, I'm not thinking of myself as 'a musician.'
When I write a book... it's the same essential approach to music as with books. It has to be something I want to hear or read. Hopefully the audience comes along, since that's the only way you can write righteously. I have to ask, 'What do I want to hear?' not 'What do people want to hear?'
When I hear a great musician, I can feel his life inside the music.
As a musician, I hear the harmonic value of everything - I just enjoy music.
I didn't get into music to become a blues musician, or a country musician. I'm a singer-songwriter. In my book that means I get to do whatever I want.
I didn't get into music to become a blues musician, or a country musician. I'm a singer-songwrit er. In my book that means I get to do whatever I want.
I just want people to hear the music the way it's suppose to sound, the way we meant for them to hear it. You sit in the studio all this time and make the music, tweak it, try to get it perfect. They should be able to hear it that way.
I am telling you what I know—words have music and if you are a musician you will write to hear them.
The music that I play is much more accepted in America. Do you know what I mean? Americans recognize and not necessarily country music. I go to a lot of places in Canada and they go "I don't like country music" and they think I'm a country musician. When I am a country musician but not a country musician like they think of.
As a conductor I find the hardest tasks are to listen to the instinct of a musician and to hear the music behind the notes.
there are two kinds of music - good music and bad music. Good music is music that I want to hear. Bad music is music that I don't want to hear.
The way I look at music, what I'm interested in is not necessarily creativity - in many ways I think creativity is overrated, actually. What I think is important is authenticity. I want to hear music that has the resonance of the people. I want to hear music that is an amplification of them. Because then, I can experience the people. But because the music has become so institutionalized, everyone is learning and regurgitating the same material in the same way.
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