A Quote by El-P
The last Company Flow reunion show in New York City was pretty insane. Everybody knew all the words to every song; everybody had smiles on their faces. Those shows are what you hope for every time you get on the stage.
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It was like I lived in a little suburban neighborhood in the middle of New York City because I could run around barefoot or, you know, completely independently from a very young age in the safety of this building where I knew everybody and where I had friends on every floor, and I knew the bellmen in the lobby.
Every time Mulder smiles, people say, 'God, it was great to see you smile. Mulder never smiles.' I say, 'Mulder smiles a whole lot. He smiles at least once a show.' People get these ideas in their heads and they're impossible to shake. But, to be honest with you, Mulder is every bit as vulnerable and quirky as Ally McBeal. I think Mulder has pretty good legs, too.
I had the opportunity to play every day in the minors, and everybody knew me in the minors. In the big leagues, it was a little different. It was up and down and up and down, and I didn't get a chance to show people that I can play every day and I can be a superstar. Now, I can show everybody what they are getting from me.
'Rescue From Gilligan's Island' was the first of the so-called reunion shows on the networks, getting a 54 share. With numbers like that, everybody else started to have reunion shows.
Most of my work in New York has been on new musicals. And all through the preview process, they throw you new songs, new lyrics, new choreography, new scripts; you're constantly getting new material. You might get it in the morning and put it in the show at night. It happens every single day, so those muscles are pretty toned.
Everybody in New York City knows there's way more cars than parking spaces. You see cars driving in New York all hours of the night. Its like musical chairs except everybody sat down around 1964.
I live in a little suburb close to Kansas City called Prairie Village, where there's a feeling of everybody knowing everybody else. I think the same thing is true of New York City, by the way.
I was in New York when Clinton was elected the first time, and everyone I knew was in a state of mad euphoria. I wondered what had happened to my hard-headed friends? Almost everyone I knew was drunk on this great white hope. The next time I was in New York, no one had a good word to say about Clinton, but everyone was in love with Hillary. She was the last word. It's all so unreal. Of course, it's no different in England. Here everyone was besotted with Tony Blair. He was a new face. Do people never learn?
People have this delusion that everything has to be for everybody at all times. Every album must be liked by everybody, and every TV show must be liked by everybody, and every movie must be liked by everybody. Everything then becomes bland.
I could see no position to say, 'I'm going to make a living as a writer.' But I went to classes for it; I read every play in 'Theater' magazine. I saw the second acts of everything on Broadway - I had a job as a CBS usher in New York City, and on my way home every night, I'd see what shows I could get into.
When I became mayor of New York City, I had a $2.4 billion deficit. And everybody wanted me to raise taxes. I said, 'If I raise taxes, I'll drive people out of New York City, and then I'll be raising taxes again.' So what I did was I cut expenses by 15 percent.
When I started coming to do shows in New York, New York had a pretty electric energy then. It was the early-nineties, and there was a lot of really fun theatrical types that were designing, and so the runway kind of became this stage for all of these mega model personalities to flaunt their stuff.
I was very much a tough New York street kid. I went to a school where you had to learn how to get along with everybody or fight with everybody, and I did my fair share of both.
The hardest part is writing a song as a story. A song is so short and there are only so many words that every line has to hit. The words have to flow. You can't say certain words that sound weird next to each other, you can't repeat words too much.
Every time I'd go out drinking I was looking for something new. But it was the same every time. I'd wake up in some bed with some person, I had a hangover and a show to do. And the truth is, it was the same every time. But now life is... pretty interesting without the alcohol.
I never wanted to do reunion shows for the sake of a reunion show. I've done all the 'Brady Bunch' stuff except for the Variety Show, but when a talk show wants us all to get together for their sake, it's not interesting to me.
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