A Quote by El-P

Labels are curators of taste, and the best ones know how to monetize what an artist is trying to do. — © El-P
Labels are curators of taste, and the best ones know how to monetize what an artist is trying to do.
Whenever you're in a chaotic environment, there are some of the best opportunities. Nobody knows where the music business is going, but I know one thing: it's going to be about fan-artist relationships and how you monetize that. The business isn't going to turn around the way we're doing it now.
Labels don't want artists to put out mixtapes because they don't monetize it.
People don't know how to reach record labels, and a lot of time labels don't listen to stuff that's sent in randomly.
It may be hard to monetize fame, but it is impossible to monetize obscurity.
I am an artist, and I understand the pros and cons of being an artist, and the pressures of being an artist, and how much being an artist can be torture to people around you; you know, you friends and your family and how material you can be, and how it's hard to take criticism and all the things like that.
I'm not trying to become a pop artist, and I'm not trying to make sure I stay a country artist. I'm just trying to make sure I make the best music I can, according to my way.
Curators are great, but they're inherently biased. Curators are always making an editorial decision. Those biases have really big implications.
What we want to do to monetize Venmo is to add more and more capabilities. Anywhere you see a PayPal merchant, you can click on that button and actually use your Venmo account to check out at that merchant. Then we'll monetize that transaction exactly the same way we monetize a PayPal transaction.
I've definitely grown and evolved as a person, as an artist, you know. Just in terms of my style, my taste, my influences, everything... That's a part of being an artist I think.
One of the disconcerting things about writing for publication is that you're trying to clear your little parcel of land in a field where Taste is king - and, as we all know, there's no accounting for Taste.
I'm not singer; every time I have the urge to sing something, I don't want to do it in front of certain people. I was always that kid afraid of failing, so I just didn't do things. I don't know how to ride a bike, I don't know how to drive. I broke out of shell a bit, and I still am. I think it's more about trying to be the full person I imagine myself to be, regardless of what that means in terms of labels, shade from people, and all of that.
If you want to be an artist, go to every art gallery, if you want to be in movies, see movies! You have to participate in whichever world you're trying to enter! You have to know what's going on. You can be the best artist in the world but if you don't know one thing about which gallery to go to, you're never going to get it shown in the right place. Learn a little bit about the business of whichever art you're trying to get into. Without it, you will be lost.
taste governs every free - as opposed to rote - human response. Nothing is more decisive. There is taste in people, visual taste, taste in emotion - and there is taste in acts, taste in morality. Intelligence, as well, is really a kind of taste: taste in ideas.
The artist at her best - wild, passionate, rebellious, and human - is often too large and truthful a creature for society's taste. The artist at her most outlandish - profane, eccentric, even a little mad - is at least as disquieting a figure.
I'm not really into all this trying to be No. 1, trying to be King of New York. I'm not with that, I'm just trying to do the best I can and know at the end of the day I gave it my best.
A photographer is a photographer and an artist is an artist. I don't believe in labels or titles. Why should a painter or sculptor who has probably never challenged the rules be an artist just because his title and an art school education automatically make him one.
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