A Quote by El-P
How could you possibly call something science fiction at this point unless it has to do with something that hasn't been done? When I write about 'Drones over Brooklyn,' it's not like I'm making something up. Drones are policing American cities.
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If there's any credence to the guy who wrote 'Drones Over Blkyn' a year before drones were flying over Brooklyn, then listen to me: we're going to be in fascist police state.
I'm reluctant to get involved in science fiction, because I feel like I've done it and done it well, so unless something comes along that I feel has the potential to do something even more interesting, it seems a shame to sort of re-live something in half-measures.
Government should have drones. Industries, companies can have drones. Everyone else doesn't need drones. It's just going to create mischief. They are going to be crashing the planes, they're going to be spying on neighbors. People don't need drones.
Of course we all have our limits, but how can you possibly find your boundaries unless you explore as far and as wide as you possibly can? I would rather fail in an attempt at something new and uncharted than safely succeed in a repeat of something I have done.
Much blood has also been spilled on the carpet in attempts to distinguish between science fiction and fantasy. I have suggested an operational definition: science fiction is something that COULD happen - but usually you wouldn't want it to. Fantasy is something that COULDN'T happen - though often you only wish that it could.
It's drones over Brooklyn, you blink, you could get tooken,
And now you're understanding the definition of 'Crooklyn.'
Pigs on parade, but bacon fryin' and cookin',
Cause kids' tired of dyin' and walkin' round like they shooken.
It's not nuclear physics. You always remember that. But if you write about sports long enough, you're constantly coming back to the point that something buoys people; something makes you feel better for having been there. Something of value is at work there...Something is hallowed here. I think that something is excellence.
The scary thing about the future... there will be tiny cameras everywhere, and they'll be flying around like mosquitoes and drones. That will be bad. Drones are scary. You can't reason with a drone.
It seemed to me that I could write commercial fiction. I wasn't sure whether I could, or whether I wanted to write serious fiction at that point. So I said, 'Let me try something else,' and I wrote a mystery - but I didn't know much about it.
There is something wrong with using faith - belief without evidence - as a political weapon. I wouldn't say there is something similar about using science. Science - or the products of science like technology - is just a way of achieving something real, something that happens, something that works.
If you look at the films that I've done generally, you would probably get an idea of what I'm most interested in, and if ever I do something unusual like a science fiction film or an action film or a comedy or something, then that to me feels like a step to the side to do something different.
Unless you can point to something that I have done or said that has changed the course of the public opinion in a negative way, you've got to check yourself sometimes and say, "Maybe I don't like the way that this thing is said, but it's expanding tolerance." If I said something that was shutting down something that was positive, call me out, but I don't really see me doing that.
My personal fascination with the power of the crowd has been growing: Exactly what can a 'crowd' accomplish? We know crowds can raise billions of dollars, create Wikipedia, and even design and build small autonomous drones. But how about something large and complex like designing a new car, and maybe someday even a spaceship?
I tried to find something real in essentially something thats science fiction or something-for me, anyways-not having an experience like this.
For me, in trying to talk about something like policing, it's such a huge issue, and it's an issue that's very local and very personalized to communities, to cities, to legislators, and so, in that way, I think as we started looking into talking about policing, the thing that you realize is that you can't paint everything with the same brush.
But you listen to Coltrane and that's something human, something that's about elevation. It's like making love to a woman. It's about something of value, it's not just loud. It doesn't have that violent connotation to it. I wanted to be a jazz musician so bad, but I really couldn't. There was no way I could figure out to learn how to play.
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