A Quote by eL Seed
I've been working a lot with identity and roots, being part of your roots. I went into this topic where I was trying to break the stereotype of Arabic language. The non-translation work, this is where I make the switch, where you don't need to translate.
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I believe that many people have forgotten what their roots are. This is one of the advantages of countries with a monarchy. The monarch offers identity across generations, and is a part of these roots and this native country.
It was an identity crisis. I was born and raised in France, but I never really felt French, so I needed to find something that I was more connected to. I used to go back to Tunisia every summer, but I was more into the language, my Arabic roots.
The fans in Canada have been there since day one. They're the originals. When people say that's your roots, that's literally my roots. I've just cut this tree off and replanted it somewhere else and it started growing. But the roots are there.
The fans in Canada have been there since day one. They're the originals. When people say that's your roots, that's literally my roots. I've just cut this tree off and replanted it somewhere else and it started growing, but the roots are still here.
I am trying to stay away from this position of me "returning to my roots." As if my roots are that I'm only comfortable working on low-budget, small films. That's not the case at all.
What I am trying to translate to you is more mysterious, it is entwined in the very roots of being, in the implacable source of sensations.
A lot of groups spend their whole cultural and aesthetic identity trying to move away from Africa, which I think is a mistake. One of the reasons I love Cuba and cultures like that is because they're not trying to move away from their African roots, they're trying to embrace them. That's part of the culture.
I couldn't know about my culture, my history, without learning the language, so I started learning Arabic - reading, writing. I used to speak Arabic before that, but Tunisian Arabic dialect. Step by step, I discovered calligraphy. I painted before and I just brought the calligraphy into my artwork. That's how everything started. The funny thing is the fact that going back to my roots made me feel French.
Balance for me now means seeing myself as a tree, being strong enough in my roots and trunk to not be a pushover, but being flexible enough in every circumstance not to break. I am continuing to expand, but not any faster than my roots can support me.
I'm not into branding - I'm trying to be organic to who I am on every level. I do really connect to being a part of the working class. Those are my roots. My family [consists of] farmers from Portugal, builders, housekeepers and stonemasons.
To my astonishment, everything that I had assumed was now questioned by the findings. What started off as a search for identity that appeared to be purely Scottish in origin ended up as a discovery of my migrant roots - indeed an understanding that almost all of our families, at some stage, have been migrants - and my European roots.
I feel like I need just to keep trying to make the work for the right reasons. I think part of that is working with really good people, and just trying to make strong truthful work. And not being diverted from that.
We are faced with having to learn again about interdependency and the need for rootedness after several centuries of having systematically-and proudly-dismantled our roots, ties, and traditions. We had grown so tall we thought we could afford to cut the roots that held us down, only to discover that the tallest trees need the most elaborate roots of all.
I think the hardest part of being in the band and trying to make it is waiting, you know? I think, to be fair, if we would have gotten a big break early on, it would have been wasted on us. All of that perseverance you often learn by failing. We went from barely being able to book anywhere to being nominated for Grammys. It's a snowball effect that happens to a lot of bands. I think the hardest part is having a side job: bussing tables, bartending, and waiting tables to make ends meet. Sometimes they are really worth doing, because one day things might actually work out in your favor.
All writers have roots they draw from - travel, work, family. My roots are in science and it is fertile ground for fiction.
Belief is like plastic flowers, which look like flowers from far away. Trust is real rose. It has roots, and roots go deep into your heart and into your being.
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