A Quote by Elad Lassry
I think there's a general confusion that my work is about types of photography. But really that's just a tool to introduce some questions I have about seeing. What happens when all of these conditions and structures and histories and cultures and tools you have around you begin to fail? On the one hand there is an engagement with histories and cultures, and on the other, there is this very lonesome space of actually coming to terms with seeing.
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I love traveling and seeing new things, learning the histories of different cultures. But I've always wanted to go to the Galapagos to see the giant turtles.
It's about something that I'm extremely passionate about: exploring other cultures, how Americans are perceived by other cultures and how we perceive other cultures through our worldview. I travel whenever I get an opportunity to do so, and I think this country is ready for a show on television that is bilingual and really puts front and center another culture, both as the protagonist and the antagonist.
Hugh Everett's work has been described by many people in terms of many worlds, the idea being that every one of the various alternative histories, branching histories, is assigned some sort of reality.
We have to consider culture respectfully, but on the other hand, it's dangerous. When we begin talking about cultures, we begin forgetting about individuals. Every individual is unique. Mankind has common feelings and ideas, but we might have some other connections, too. For example, I might be very close to someone in New York in some way. Because of the music I like or how I like to watch soccer games, or because I like to read Russian classics.
When we come back to fantasy, I think we're actually coming back to the real bedrock of storytelling. Our national or international genre really is fantasy, if you think about the worldwide myths and legends and stories that we all know, whether we're talking about Little Red Riding Hood or the Arabian Nights or Noah's Ark or Hercules. These are stories that cross many cultures in much the same way that dragons cross many cultures.
Future peace, prosperity and confidence depend not just on ourselves but on the success of all nations. Hence, we are all partners, no matter what our backgrounds, cultures, faiths and histories.
I make spaces that apprehend light for our perception, and in some ways gather it, or seem to hold it...my work is more about your seeing than it is about my seeing, although it is a product of my seeing.
Meditation is about seeing clearly the body that we have, the mind that we have, the domestic situation that we have, the job that we have, and the people who are in our lives. It's about seeing how we react to all these things. It's seeing our emotions and thoughts just as they are right now, in this very moment, in this very room, on this very seat. It's about not trying to make them go away, not trying to become better than we are, but just seeing clearly with precision and gentleness.
My feeling about seeing the world is that it's going to change you necessarily, just the very fact of being out there and meeting people from different cultures and different ways of life.
My feeling about seeing the world is that its going to change you necessarily, just the very fact of being out there and meeting people from different cultures and different ways of life.
My dad was in the Navy, so we moved around a lot. That led to me seeing myriad cultures and cuisines. I have been excited about eating and cooking for as long as I can remember.
I grew up surrounded by all types of cultures - French, Indian, Arabic - a melting pot of cultures, sounds, foods, people, and religions. It opened my eyes early, and I'm grateful for that. It's not about success in one area; it's about exploring the world musically and spending time in those places whenever you can.
My work isn't about form. It's about seeing. I'm excited about seeing things, and I'm interested in the way I think other people see things.
I started reading the big histories and the small histories, the memoirs and so forth. At some point, I found the diary of William E. Dodd.
Climbing does not mean just competition and performance. It has other qualities that are important: going on trips, meeting people, seeing other cultures.
I have been very afraid of writing about other cultures and countries. I've been worried about getting the research wrong. I ask a lot of questions. I try to visit the area. If I'm not able to do that, I search out people from that country who live elsewhere and ask questions.
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