A Quote by Elaine Chao

My first port of call was Los Angeles. That's where I laid my first foot on America. — © Elaine Chao
My first port of call was Los Angeles. That's where I laid my first foot on America.
When I first got to Los Angeles, hip-hop music was a scary thing not only to white America but to middle-class black America.
I don't live in Los Angeles. I work in Los Angeles, and even that - I audition in Los Angeles; I very rarely film in Los Angeles. I don't hang out with producers on my off-hours, so I don't even know what that world is like.
The Olympics have been an amazing part of Los Angeles' history. In many ways in 1932, they put us on the map when people didn't even know where Los Angeles was. In 1984, they were the first profitable Olympics of the modern era.
In 1983, I was working at an art gallery in Los Angeles and going to film school at Los Angeles City College. At that time, Jean-Michel Basquiat was a young painter and was visiting L.A. for his first show at the Larry Gagosian Gallery.
I went through some tough years when I first moved to Los Angeles, and 'The Riches' was my first major success.
My first job ever real job in the field was as an airborne traffic reporter and producer in Los Angeles, but I was laid off pretty quickly - which was totally fair, because I'm terrible with directions, and that's kind of the whole job.
In 2007, when I first moved to Los Angeles, I got a call from Prince, and he had been watching my YouTube videos. It was crazy, because I thought it was my friend calling and pretending to be Prince.
What I said was that I was at first supportive of Bernie [Sanders] when he came to Los Angeles for his first rally, I was there, I was supportive.
My first college internship was at Sony Pictures Entertainment in Los Angeles. My second internship was at McKinsey & Company as a consultant - that turned into my first job after graduation.
I was in Berkeley when the food energy in America was in Berkeley. Then it moved to Los Angeles, and I went to Los Angeles. It moved to New York, and I went there.
Los Angeles is Hollywood and Hollywood is Hollywood Blvd. It's the first thing you want to see. It's the only thing really that you know about as far as Los Angeles is concerned. And so you go and you look at Joan Crawford's hands and feet and the whole history of American filmmaking is encapsulated in that one little area on that one street. That street, to me, has always been the street of dream.
Sprawl is the American ideal way to develop. I believe that what we're developing in Denver is in no appreciable way different than what we're doing in Los Angeles - did in Los Angeles and are still doing. But I think we have developed the Los Angeles model of city-building, and I think it is unfortunate.
My first son was born in Los Angeles; he's a Mexican-American.
First, let me just say that I flew in from Los Angeles last evening. And the plane was absolutely filled with women who were coming from the Greater Los Angeles area to be here. And it wasn't that they were necessarily organized in some particular group. Individual women that I talked to - I said, well, who are you with? They said I'm not with anybody. I just decided I couldn't stay home. I just got up, and I came [to the Women's March].
When I first moved to Los Angeles, I don't think anyone knew what to do with me.
When I first moved to Los Angeles, I came out here with a thousand dollars to my name.
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