A Quote by Elaine Dundy

I find I always have to write something on a steamed mirror. — © Elaine Dundy
I find I always have to write something on a steamed mirror.
I try to write about small insignificant things. I try to find out if it’s possible to say anything about them. And I almost always do if I sit down and write about something. There is something in that thing that I can write about. It’s very much like a rehearsal. An exercise, in a way.
My friends, we all improvise together usually. So we write what I think is a good script but always leave a lot of room to find stuff on the day; and we always do find something. That's the advantage to having actors who are, in their own right, writers.
I'm always telling my students go to law school or become a doctor, do something, and then write. First of all you should have something to write about, and you only have something to write about if you do something.
The professorial dictum has always been to write what you know, but I say write what you don't know and find something out. And it works.
There's always a part of my brain saying: 'Stop getting comfortable. Don't relax.' Because I find it difficult to write when I'm happy. I have to go out there and get battered up and bruised to write anything. I have to feel something.
Don't you think it's something strange that you rarely look at yourself in the mirror, except to do things like stand and ponder? I mean, in Shakespeare's day, it was thought that the mirror would reveal something, that it is trying to tell you something - not just to tidy your hair, but something more.
People are always calling me a mirror and if a mirror looks into a mirror, what is there to see?
I guess, and it may be a flaw, that I think about rhythm more [than anything else]. I'm always wanting to find something unusual. I've started to try and write more traditionally, but for whatever reason, I tend toward trying to find something that sounds more like a pattern to me.
I always find something in common with my protagonist, particularly when I write in the first person.
Every morning when I woke up, my mother was already in the kitchen making breakfast. It was always the same: steamed rice, pickled vegetables, grilled fish and miso soup. Each day there was something different in the soup such as tofu or potatoes.
Then Maura made something with butter and Calla made something with bacon and Blue steamed broccoli in self-defense.
I feel like I eat pretty clean as my regular routine. I eat a lot of steamed vegetables, steamed chicken. I don't eat that much meat. I'd be maybe, I would say, 90 percent vegetarian. Mostly just because I like the way it makes me feel, not other reasons.
Since September 11, the Mirror has reached back to its roots, and decided, it seems, to be something of its old self again. I received a call asking if I would write for it again, which I've done. It's a pleasure to be able to do that. It's become an important antidote to a media that is, most of it, supportive of the establishment, some of it quite rabidly rightwing. The Mirror is breaking ranks, and that's good news.
In the back of my mind was the constant hankering, almost yearning, to write but something always stopped me in my tracks. Or if I did find my way to put a pen to paper or finger on a keyboard I'd give up after a few minutes. I'd find other things to do: Anything but writing.
I always find the mirror in the dressing room is where the best artists are.
There is nothing like looking, if you want to find something. You certainly usually find something, if you look, but it is not always quite the something you were after.
This site uses cookies to ensure you get the best experience. More info...
Got it!