A Quote by Elaine Equi

When I shut off the verbal, I like to escape into the visual. — © Elaine Equi
When I shut off the verbal, I like to escape into the visual.

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Usually in theater, the visual repeats the verbal. The visual dwindles into decoration. But I think with my eyes. For me, the visual is not an afterthought, not an illustration of the text. If it says the same thing as the words, why look? The visual must be so compelling that a deaf man would sit though the performance fascinated.
The literary artist lends verbal depth to the visual. The visual artist provides visible articulation for the literary.
Fiction becomes visual by becoming verbal
Faced with today's problems and disappointments , many people will try to escape from their responsibility. Escape in selfishness, escape in sexual pleasure, escape in drugs, escape in violence, escape in indifference and cynical attitudes. I propose to you the option of love, which is the opposite of escape.
Writing, in its physical, graphic form, is an inseparable suturing of the visual and the verbal, the “imagetext” incarnate
In exorcism, a verbal argument can never do anything. You can't ever beat the entity in a verbal argument because that's what he wants. It's only through a confront, a non-verbal confront, that anything happens. It has to be non-verbal.
I feel like people who are guarded and shut off, I feel like they should have to wear a button that says, "shut down", "guarded" or something.
Well, I think my stand-up is often kind of visual. Not like Carrot Top visual, but visual.
I'm self-sufficient. I spend a lot of time on my own and I shut off quite easily. When I communicate, I communicate 900 per cent, then I shut off, which scares people sometimes.
Facebook, instagram - I prefer visual communication better than verbal. But I read all the comments, answering too.
Communicate with visual literacy - Make good use of all the non-verbal ways of communication - color, shape, form, texture.
I'm very fond of the strictly visual cartoons I did when I was breaking in in the 1970's. Over time I migrated to a more verbal approach.
I'm not one of those guys who walks around with a flip phone who doesn't want to be connected. There are times when I'm tech-friendly, and there are times when I personally do want to shut everything off because I'm more creative when I shut off.
The two sensibilities, the visual and the verbal, have always been linked for me - in fact, while reading a particularly evocative passage, I will imagine what the photograph I'd take of that scene would look like, even with burning and dodging notes. Maybe everyone does this.
People believe that if you can shut your Tourette's off for a period of time, then you can always shut it off. I try to explain to people that if I spent my whole life trying to control my tics, that's all I would have time for.
The problem of making artists talk about their work is that when they're making their work the left-brain is shut off. So if you talk to an artist about it, you're talking to someone who wasn't there. It's hopeless. And also it's insulting. It's implying that the work is not an adequate account of itself. To me, the greatest artists are almost entirely non-verbal.
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