A Quote by Elaine Sciolino

Every day since the start of the Tour de France, the popular 'Le Parisien' newspaper has published a story about a book written with the bicycle in mind. — © Elaine Sciolino
Every day since the start of the Tour de France, the popular 'Le Parisien' newspaper has published a story about a book written with the bicycle in mind.
I always think it is kind of funny when it comes to wisdom, and I say God has a sense of humor, because my middle name is Solomon, and I love the Book of Proverbs which is written by Solomon, and I have read from the Book of Proverbs to start and end every day since I was 14.
My first book published in France was translated and titled Exercices d'Attente in 1972. It was a collection of short works written and published in Romania. In 1973 I was ready to publish the novel Arpièges, which I had started writing in Romanian and of which I had published some fragments under the title Vain Art of the Fugue. Some years later, I finished Necessary Marriage.
I have also written a book about the Giving of the Torah, and a book on the Days of Awe, and a book on the books of Israel that have been written since the day the Torah was given to Israel.
I was first published in the newspaper put out by School of The Art Institute of Chicago, where I was a student. I wince to read that story nowadays, but I published it with an odd photo I'd found in a junk shop, and at least I still like the picture. I had a few things in the school paper, and then I got published in a small literary magazine. I hoped I would one day get published in The New Yorker, but I never allowed myself to actually believe it. Getting published is one of those things that feels just as good as you'd hoped it would.
There is an enormous redundancy in every well-written book. With a well-written book I only read the right-hand page and allow my mind to work on the left-hand page. With a poorly written book I read every word.
Published in 1947, 'The Plague' has often been read as an allegory, a book that is really about the occupation of France, say, or the human condition. But it's also a very good book about plagues, and about how people react to them - a whole category of human behavior that we have forgotten.
When I start, I have a feeling for the characters, and maybe the shape of the story. Sometimes I might even have the last sentence in mind. But, no book I've ever written has ever ended the way I thought it would. Characters disappear, others come forward. Once you start writing, everything changes.
If somebody had told me as a kid that I would win 30 stages of the Tour de France I probably wouldn't have imagined it. I probably imagined I could do it - I don't lack confidence - but at the end of the day one Tour de France stage win can make a rider's career.
Once in 1919, when I was traveling at night by train, I wrote a short story. In the town where the train stopped, I took the story to the publisher of the newspaper who published the story.
When I was 16 and on a tour of Europe, I fell in love with Le Corbusier's Notre Dame du Haut chapel in Ronchamp, France. I'd quite like to live in it.
If you want a lot of endorsements then you'd pick the Olympics. But I've had a passion for the Tour since I was a kid. Let's put it this way: it would be harder to win a stage on the Tour de France so that would mean more. I'd take the Tour win first - but I'm aiming for both.
About a year after (my stories began being published), magazine editor George Scithers, suggested to me that since I was so new at being published, I must be very close to what I had to learn to move from fooling around with writing to actually producing professional stories. There are a lot of aspiring writers out there who would like to know just that. Write that book.SFWW-I is that book. It's the book I was looking for when I first started writing fiction.
The problem with being a Tour de France winner is you always have that feeling of disappointment if you don't win again. That's the curse of the Tour de France.
And she never could remember; and ever since that day what Lucy means by a good story is a story which reminds her of the forgotten story in the Magician's Book.
The Tour (de France) is essentially a math problem, a 2,000-mile race over three weeks that's sometimes won by a margin of a minute or less. How do you propel yourself through space on a bicycle, sometimes steeply uphill, at a speed sustainable for three weeks? Every second counts.
In the end I got a major newspaper in South East Asia to buy a whistleblower's account for a ludicrous bunch of money. Off I toddled, published the story, which the newspaper didn't dare do in the end and then of course I was unleashed into a rollercoaster of denial and backlash.
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