A Quote by Elaine Stritch

New York is like a disco, but without the music — © Elaine Stritch
New York is like a disco, but without the music
The effect hip-hop had on me was enormous. I was exposed to it by happenstance. My father worked at a radio station in New York called WKTU Disco 92. It was the first radio station in New York City to play disco in the late '70s.
There was a movement called 'disco sucks', it was a shame to like disco, but then there was no music to dance to, so some DJs started to use old disco records, but the B-sides and the acapellas, and we began producing beats with drum machines.
As far as my New York influence, one thing I'm proud of in my career is, I rep Brooklyn, New York all day. But people don't look at my music as New York music. People consider my music underground music.
Twenty years ago I went to see this show The Best Disco in Town Live, it was all these disco acts like Gloria Gaynor and Tavares and I had the best night of my life. There was no new music, it was just hits you loved growing up.
Disco music has had its opportunity earlier and now the young people have taken it to another level. DJs are using our music and creating innovative remixes out of it. This is the way party is today. You can say, it's a new type of disco now.
I kinda feel like if I can do what I like in New York - and I like New York, I was born in New York, I have a lot more of a connection to New York - the hope is to stay in New York.
The music industry isn't converging toward dance music. Dance music is dance music. It's been around since disco - and way before disco. But there's different versions of dance music.
My policy has always been to play new music. New beat, industrial, techno, disco, funk, rare groove and house music.
When I saw the pictures of New York without the World Trade Center, New York looked like a shadow of itself.
I've always liked New York, as I like towns with an edge and New York has a European feel, so when I came to play music here in the '80s it was a surprise to me.
In New York, I was excited about the music in New York because the only music that I was more or less involved with in the South was either country and western or hillbilly music as we used to call it when I was a kid and, ah, gospel. There was no, there was no in between. And when I got to New York all the other musics that's in the world just came into my head whether it was the classics, jazz, I never knew what jazz was about all, had heard anything about jazz.
New wave disco was coming to the fore then, and we were at a different point entirely. I like to listen to dance music, but I don't think I'm primarily a dance music writer.
What does New York sound like? For me, the Charlie Parker at the Royal Roost recordings on the Savoy label are the total embodiment of the New York music experience.
As a late teenager, the punk movement pushed me further. In particular, the Clash, which happened to leak through the time of disco, showed me that there was this cross-cultural sound that could cut across genres and audiences. Like punk was to disco, rap music was a rebellion against R&B, which had adopted disco and made it worse.
Disco is the first technology music. And what I mean is that 'disco' music is named after discs, because when technology grew to where they didn't need a band in the clubs, the DJ played it on a disc.
We were going to do 'Reno 911!: New York, New York, Las Vegas,' which was like a 'Die Hard' set not in New York, but in the New York, New York casino in Las Vegas. We were really excited about being locked into the one casino and doing a bad action movie.
This site uses cookies to ensure you get the best experience. More info...
Got it!