A Quote by Elaine Stritch

It's very disconcerting to start out and to say, "I'm going to tell the truth," and then to realize it's that much trouble. — © Elaine Stritch
It's very disconcerting to start out and to say, "I'm going to tell the truth," and then to realize it's that much trouble.
Sometimes I don't tell the truth, which is telling the truth about not telling the truth. I think people don't tell the truth when they're afraid that something bad's going to happen if they tell the truth. I say things all the time that I could really get into trouble for, but they kind of blow over.
Start telling the truth now and never stop. Begin by telling the truth to yourself about yourself. Then tell the truth to yourself about someone else. Then tell the truth about yourself to another. Then tell the truth about another to that other. Finally, tell the truth to everyone about everything. These are the Five Levels Of Truth Telling. This is the five-fold path to freedom.
There are no atheists in foxholes, they say, and I was a foxhole atheist for a long time. But after going through a midlife crisis and having many things change very quickly, it made me realize my mortality. And when you start to think about death, you start to think about what's after it. And then you start hoping there is a God.
To tell you the truth, if you're looking at rising pretty high, then you need to find a way of taking care of these problems and not taking time off. At the end of the day, it is a very tough competition. And in a very tough competition, if you just take breaks, then it's going to become much, much more difficult.
I tell the truth, and it has gotten me into a lot of trouble. My dad used to say to me, 'If you tell the truth all day long, you will end up in jail.'
A lot of times, it's nice to open, because the heat's off you. You just go out and blast your set and say to whoever's going to finish, 'There you go.' Even though when you first start, people are drifting in, and that's kind of a bit disconcerting.
How forthright does the audience want the broadcasters to be? Because when you tell your truth, there's a lot of anger that comes out. I think it's a good question to ask TV people [executives] too. How much truth do they want to be told? How much truth does the league want told? Because the truth isn't just a positive truth. If you're going to tell the truth, you would be telling a lot of positive and some negative.
I say it with my tongue firmly planted in cheek but there's truth to it - being a comedian is very close to being a therapist. When you're working smaller clubs, you're listening. You're feeling an energy, you're going with a tone but when people start yelling out, you almost start a conversation with people.
In the West, you don't get in any trouble if you tell the truth, but you still can't do it. Not only can't you tell the truth, you can't think the truth. It's just so deeply embedded, deeply instilled, that without any meaningful coercion it comes out the same way it does in a totalitarian state.
If you become very self-conscious about what you are doing, you kill. You kill the character. Then it doesn't work. You have to come from a sincere place. And you don't think too much. I don't go to the hotel and I start thinking what am I going to say tomorrow and start writing things down.
I've had shows where you think, "Is this going well? I can't tell," and then you say goodnight and you get this ovation. They're sorta like a theater audience. I've learned that much; that they're not always going to be doing backflips - but I'll never figure it out. Because sometimes you walk up there, and they're so excited, and then other times, it's just... But sometimes an audience is bad, and you can tell them they're bad, and that sort of breaks the ice a bit.
You know so many documentaries now are very carefully scripted before you start, and then people are sort of put in chairs which are beautifully lit, and they tell their stories and you do that with another 10 people and you then construct a story from what they say. You do a sort of paper thing, and then you put some images in-between, and that's your film. And that's so not what I think is a good documentary. It can be so much more than that, it should be much more of an adventure and much more uncertain... like real things are.
At the very outset I have to tell you that truth is what it is. You cannot mold it, you cannot change it. It is always the same. It has been the same, it is the same, it will be the same. But to say that we know the truth and that we have the truth is really a self-deception. If you had known the absolute truth there would have been no problems and everybody would have said the same thing. There would be no discussions, no arguments, no fights and wars. But when we don't know the absolute truth then we can find out our own mental conceptions as the truth. But this mind is so limited.
For most people, love is a response to need fulfillment. Everyone has needs. You need this, another needs that. You both see in each other a chance for need fulfillment. So you agree-tacitly-to a trade. I'll trade you what I've got if you'll give me what you've got. It's a transaction. But you don't tell the truth about it. You don't say, "I trade you very much." You say, "I love you very much," and then the disappointment begins.
The trouble with being a daydreamer who doesn’t say much is that the teachers at school, especially those who don’t know you very well, are likely to think you’re rather stupid. Or, if not stupid, then dull. No one can see the amazing things that are going on in your head.
If you want the truth to prevail, you must cause people to realize the truth. This requires much more skill than is required to simply tell it.
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