A Quote by Elaine Stritch

All of the writing on '30 Rock' is a joy to go into. It's pretty hot stuff. — © Elaine Stritch
All of the writing on '30 Rock' is a joy to go into. It's pretty hot stuff.
It's pretty much rock-'n'-roll. I sit down and start feeling stuff and writing.
What we've witnessed in the past 25 or 30 years is just incredible. We've birthed 30,000 or 40,000 restaurants. I used to go to Europe every year to get experience [and ideas]. I don't go to Europe anymore. I go to Oregon, I go to Washington, I go to Louisiana, I go to Little Rock, I go to Austin, I travel New York City. I don't go to Europe anymore.
Before I started doing '30 Rock', I did about 25 movies. I'd always been doing stand-up every night, and then I would do, like, two to four movies a year. So I really liked doing that, and I want to get back to that, but because of the time commitment to '30 Rock', there's not much time to do that stuff.
Do you want a list of what my dogs taught me? Patience, perspective, joy, loyalty, the simplicity and presence of their joy. That's a really great daily reminder, bad stuff happens, difficult stuff happens and you take them out onto the beach and you go "OK, now I see". You tell them the current political situation in the world and they go "should we go for a walk?" And you go, right, that's the correct answer.
I guess my music taste is pretty predictable: I like new indie rock stuff, older stuff.
Basically, I am a night owl. My wife is an early bird, so she goes to bed around 9:30, and my kids are in bed about 8. So, if I am home, I will usually start writing about 9:30 and go till about 12:30 or 1:30, depending on what my energy level is.
But when you're writing a script - for me anyway - you have to sort of create an enforced innocence. You have to divest yourself of worrying about a lot of stuff like what movies are hot, what movies are not hot, what the budget of this movie might be.
When I was 13, I thought I was pretty hot stuff because I knew BASIC programming, self-taught on the family's Commodore 64. One of my crowning accomplishments was writing a silly little program that showed a crudely-drawn Space Shuttle lifting off in a cloud of pixelated smoke.
I'd try to write my poems in a certain rhythm. I had my rock 'n' roll stuff for performing and my denser stuff for writing.
And what you do is you go into where your anger is, if you're writing anger, you go into where your hatred is, if you're writing hatred. Your joy is, if you're writing joy. You find the source of the energy that draws hatred, anger, joy, etc., etc., etc. That's what you have to find. That's what you do as an actor and that's what you do as a writer. And you bring people to the page.
I love '30 Rock.' It's one of my favorite shows. It's certainly the gold standard of comedy writing.
I love 30 Rock. It's one of my favorite shows. It's certainly the gold standard of comedy writing.
Writing screenplays is incredibly hard. I can't call it joy. Writing Novels? Joy. Directing? Joy. Writing Screenplays? That's where you pay all your dues.
I absolutely love '30 Rock' and 'The Office,' but I don't know how many 13-year-olds are watching that stuff.
I won every award you could win in television. I got paid well. And people loved '30 Rock'. And I loved '30 Rock'. I mean, sometimes you do a show that's a hit show, and you hate it.
I have done a lot of animated stuff over a 30-year period, and you do have to go much bigger on that stuff in order for it to come across.
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