A Quote by Elaine Stritch
I could have made a lot of money doing 'Golden Girls,' and I would have been good. But the image of it! And for me to work with Betty White every day would be like taking cyanide.
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Boxing has always been work to me, a job. If I could say anything to a youngster taking up boxing it would be to "be smart and not take a lot of punches". It's called the sweet science for a reason. Hit and not be hit, make a lot of money without taking a lot of punishment. That's what it's about.
I was never very good at picking cotton, and then I only made fifty cents or $1 a day. People would work for $1 a day during the Depression. So we would get $2 for playing music and just having fun. I think that as a result of that it was not just the money, but we enjoyed doing it.
If I wanted to work financially, I would have made a series of different choices. I do get offered lots of movies which you could make a lot of money out of. And I always say, 'Why would I do that, when someone else could do it much better than me? Why would I want to do an action picture? Why?'
If I wanted to work financially, I would have made a series of different choices. I do get offered lots of movies which you could make a lot of money out of. And I always say, 'Why would I do that, when someone else could do it much better than me? Why would I want to do an action picture? Why?
When I was a kid I would much rather have been a good baseball player or a hit with the girls, but I couldn't play ball. I couldn't dance. Luckily, the girls didn't want me. Not much I could do about that. So I started to draw and to write By the time I got to where I was attracting girls, I was already into work, and it was more important to me. Not that I wouldn't rather make love, but the work has become a habit.
I would spend the rest of my life inside The Golden Girls, of course. I feel like my dream is to just be retired and to really let it all out and to not give an F anymore, and so Golden Girls, to me, is that time in life.
A lot of the good cameraman who we used are doing television work; they're doing commercials for a lot of money. And the commercials look incredible. But what's it about? I made three major commercial campaigns. I enjoyed it, I experimented with it, and at the end of the day I felt no satisfaction. It was like having a fast food lunch.
At the end of the day, the Golden Rule is called the Golden Rule for a reason - do unto others as you would have done to you. In terms of commandments you could probably just do that one and you would be well off. If everybody could adhere to that one, we'd be OK, as long as a masochist wasn't in charge of people.
I would like people to know me for who I am, especially since I think people have a very skewed image of me. I was playing a lot of cute characters, a lot of little girls; I was objectified. And I don't want people to think of me as that because it's not who I am, and because I've seen a lot of hostility towards that image.
There's a part of me with every book that thinks, What would it have meant for me tohave had this book when I was a kid? I decided to create a book for girls like me. The Littlest Bigfoot is about bullying and body image and girls who don't fit in. It's like training wheels for my adult books - like Sex and the City, but with 12-year-olds.
My mom was a housewife, and wasn't somebody that people would think of as a feminist, and when Ms. Magazine came out we were incredibly inspired by it. I used to cut pictures out of it and make posters that said, "Girls can do anything", and stuff like that, and my mom was inspired to work at a basement of a church doing anti-domestic violence work. Then she took me to the Soidarity Day thing, and it was the first time I had ever been in a big crowd of women yelling, and it really made me want to do it forever.
For the black man to come out superior would be against America's teachings. I have been so great in boxing they had to create an image like Rocky, a white image on the screen, to counteract my image in the ring. America has to have its white images, no matter where it gets them. Jesus, Wonder Woman, Tarzan and Rocky.
I hope there will be no effort to put up a shaft or any monument of that sort in memory of me or of the other women who have giventhemselves to our work. The best kind of a memorial would be a school where girls could be taught everything useful that would help them to earn an honorable livelihood; where they could learn to do anything they were capable of, just as boys can. I would like to have lived to see such a school as that in every great city of the United States.
If I wasn't in broadcasting I would like to grow a gigantic beard; and I would like to open a motorcycle garage somewhere in the desert in Nevada and I would disappear and work on bikes, make them really fast. I would love to just race motorcycles for a living if I could do it, but I'm just not that good at it so this is what I'm doing.
I would go to trials a lot in Boston, as best I could. And it's incredible that, like, lawyers that had a good case weren't dramatic at all. Lawyers that had a horrible case would sing and dance and do whatever it took to convince the jury or the judge that this guy was innocent. So that was a cool thing to see because that made me believe that what the script [of From The Hip] was doing was totally believable. Now, maybe not ordinary. But it could happen.
When I was a kid, some of the guys would try to get me to hate white people for what they've been doing to Negroes, and for a while I tried real hard. But every time I got to hating them, some white guy would come along and mess the whole thing up.
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