A Quote by Elaine Stritch

I love New York. I went to New York to become an actress, and I did it. And I won all the awards known to man. And I'm happy. And I came home. I came, I saw, I conquered. And it feels great.
There are roughly three New Yorks. There is, first, the New York of the man or woman who was born here, who takes the city for granted and accepts its size and its turbulence as natural and inevitable. Second, there is the New York of the commuter — the city that is devoured by locusts each day and spat out each night. Third, there is the New York of the person who was born somewhere else and came to New York in quest of something.
I always thought it's not that the greatest players in the world come from New York. It's just the guys who shouldn't have made it, they came from New York. That's what makes New York special.
I dreamt of being an Aerie model before I came to New York. That was one of the main reasons I came to New York and wanted to get signed.
I was known for a lot of dunks, but my first big dunk really came here in New York. I had some others back then, but my first major dunk came against the Knicks and Kenny 'Sky' Walker. So, you know, New York has a lot of meaning to me.
I came to New York and in only hours, New York did what it does to people: awakened the possibilities. Hope breaks out.
I came to New York for school, and then I did this amazing show that was received very well, with a great group of people, and I felt like I was creating something that I was really proud of, and then 'Hamilton' was my next big thing in New York.
My parents were very humanistic, but where we lived was not the cultural center of the world. Hardly. So I came to New York for two reasons: to find my own kin and also to get a job. And that's what I came to New York for in '67.
It's a love-and-hate relationship with New York. Much like Hong Kong, it's expensive, crowded, the weather is not so nice. But New York is home, and I love New York.
It's about being open to what comes your way. I came to New York and saw 'Spelling Bee.' I said to myself, 'That's the greatest show ever, and I can't believe I'm not a part of it.' I felt the only way I'm going to get to be a part of something that good is to live in New York. So I moved to New York and ended up in 'Spelling Bee.'
I'd excluded New York from my writing, and then I came back and I fell in love with it all over again... The energy comes from an absence, that yearning for New York when you are not there.
I'd excluded New York from my writing, and then I came back and I fell in love with it all over again. The energy comes from an absence, that yearning for New York when you are not there.
Everything I learned and didn't do in New York I would put into place here in the London West Hollywood. It's fascinating, when you look at the critics' reviews, and we had a great one in the New York Observer and all that, and then the New York Times came and it was a devastation; two stars out of four. They said that I played safe because it wasn't fireworks. Then they judged the persona over the substance that was on the plate.
The very first time I came to The States I came right to New York and I remember walking around Times Square, I saw a couple of shows and I thought, 'I'd love to come here and do this.'
I love New York. But how much should it cost to call New York home? Decades of out-of-control budgets, spending hikes, and relentless borrowing have made New York simply too expensive.
When you're in New York, people don't say, 'We're happy you came to New York.' In D.C., people thank you for coming here and bringing art here.
I'm from New York and I love New York and I'm always repping New York, but what I represent is something deeper than just being a New York rapper.
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