A Quote by Elaine Welteroth
Trump gets too much credit for 'Teen Vogue''s evolution.
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When 'Teen Vogue' started out, 'Teen Vogue' was an aspirational fashion magazine for fashion lovers. You know, it was the little sister to 'Vogue.' And over the years, we've realized that our mission was really to become more focused on making this an inclusive community that speaks to every kind of young person.
The evolution at 'Teen Vogue' is not a result of dinosaurs in a board room coming up with a strategy to reach the kids.
I like having young assistants in my office; they have energy, and I spend time with them to make sure they understand what we're doing. By investing in them, I'm investing in the magazine. All over 'Vogue,' 'Teen Vogue,' and 'Men's Vogue,' there are people who have been through not only my office but also many other offices at 'Vogue.'
I don't know if this is too weird to say, but this is completely surreal for me. Bizarre. The cover of 'Teen Vogue' has been on my bucket list forever.
I very much believe in the Intentional Fallacy. If Donald Trump lies and dopes and bumbles and staggers his way into peace in the middle east, he gets credit for it. He owns it.
The great thing about interning at 'Teen Vogue' is that there is so much room for growth; interns here do incredible things if they work hard enough and think outside the box.
Within two months I made the grand slam: covers of 'American Vogue', 'Italian Vogue', 'British Vogue', and 'French Vogue'.
The eight months I took off between 'Teen Vogue' and 'Lucky' afforded me such amazing opportunities, and I learned so much from so many different people - the brands that I worked with, the companies that I was consulting for.
The best thing I can say about 'Teen Wolf Too' is that it's the only time anyone ever referred to me as Preston Sturges. Leonard Maltin wrote that 'Teen Wolf Too' made 'Teen Wolf' look like Preston Sturges. I've always prided myself on that.
I'm not going to take too much credit for what's happened in my life. When we're playing, the things I do are because of my teammates. So I'm not going to take too much credit.
The voting public is not very good at attributing credit and blame to presidents. They get too much credit when things go well and too much blame when things go badly. The same applies to coaches, C.E.O.'s, parents, and anyone else in charge.
It's only shocking to the uninitiated that 'Teen Vogue' would have the audacity to be political and style-focused.
I didn't know too much about his comic book history. I know that in 'Teen Titans,' he's much more the comedic relief. But after reading the comic book iteration of Cyborg in 'The New Teen Titans' from the 1980s that Marv Wolfman and George Perez had worked on, I saw that there was a lot of texture to the character.
'Teen Vogue' fortunately has proved you can have smart, political, and fashionable content delivered in one place, and you don't have to choose.
'Teen Vogue' is so much more than just a magazine. It's so much more than just a website. It's so much more than social. It's really about the audience, and so we're going to continue to innovate and continue to find new ways of reaching this audience in meaningful ways.
A short way into Teen Vogue I realized that teens see it as a guide for their lives and their careers, more than a place to teach them how to get boys. And they don't ask us fashion advice questions; they're too sophisticated. They're inspired by what they see and they think, 'These people at this magazine represent what I want to be, beyond shoes and makeup.'
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