A Quote by Elaine Welteroth
I think you've got to be able to relate to what teens are going through.
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I think it can be incredibly powerful for a teen to be able to put their story out there for others to soak in, learn from, relate to. In some ways, it validates their experience, which for teens (or for anybody, really) is a pretty huge deal.
When I go speak to these kids through my foundation and am able to sit down and tell them some of the things that I've been through, they can look up and relate to me, and they can understand the feelings I had that are similar to what they're going through and feeling.
Part of the allure of watching characters on-screen is to be able to put yourself in his or her shoes or to be able to relate to what he or she is going through or what he or she is thinking.
To me to be a storyteller is you got to be able to speak the truth. You've got to be able to absorb life and take in life and be able to interpret it in a way that anybody in this room could say, "Man, that's my story. I can relate to that."
What's really cool is to be able to write music and have people around the world [who are] able to relate to it. They tell you that [your] song helped them get through a divorce or they got married to that song. It makes me want to keep doing that for [myself] and for people.
You've got a song you're singing from your gut, you want that audience to feel it in their gut. And you've got to make them think that you're one of them sitting out there with them too. They've got to be able to relate to what you're doing.
I had three sessions of chemotherapy so it was really tough, it was hard to go through it. But while I was going through my treatment, I was always motivated that I was going to come back and play for India. I think that's what kept me going and got me through.
A universal sound is about having everybody be able to relate to it whether you're in New York, LA, London or Australia. You have to be able to universally be brought back to a place where they can relate to you as an artist.
I don't think that the problems or the issues relate to any single piece of legislation. I think that they really do relate to the mindset that after eight years is pretty deeply embedded. It is not going to be easy to reverse itself.
If you can relate to what the character's going through, the story can be as ridiculous as possible, and people will relate to it. You can be fearless in your storytelling if you're vigilant about protecting your characters.
As I grew older and got into the late teens and early 20s, I wanted to be a voice of the people. You know, getting locked up all the time and going through so much oppression and seeing it all around myself, I wanted to be a voice for it.
I think that just because the show is titled 'Awkward Black Girl' and it is a predominantly black cast doesn't mean that you shouldn't be able to relate to these people. We're all human beings. We all essentially go through the same things when it comes down to it, so I don't I think that should limit who watches it.
It wasn't being an alcoholic - it was going wild. It happened when I got famous. It was like having my teens in my early thirties: blotting out your life, not having to think about anything.
When you think you're going through hell, keep going. The only way out, keep going. If you're going through hell you've got to keep going. You can't stop or that's where you're gonna end up.
My biggest advice to people now is that when you go through something traumatic, you've got to go talk to somebody. You've got to be able to understand it, make peace with it inside yourself, and you've got to be able to let it go.
Stamina. There is a greater physical element to this job than you would think, just being able to grind it out. And I think your ability to not just mentally and emotionally, but physically be able to say, "We got this. We're going to be OK."
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