A Quote by Elana Meyers

I've encountered a lot of biases as a woman. — © Elana Meyers
I've encountered a lot of biases as a woman.
In the past quarter century, we exposed biases against other races and called it racism, and we exposed biases against women and called it sexism. Biases against men we call humor.
When evaluating the suitability of a woman for a role, or using certain language in job advertisements, biases can creep in.
Almost every woman I've met has encountered bullying.
When I came to Harvard, there were no tenured women except one, who was in a chair reserved for a woman. It's still an uphill battle, and I encountered great sexism in parts of my career, but I have to say that things are a lot better than they used to be. There are many women today doing wonderful work all over the academy.
What makes me say "wow" is usually something I haven't encountered, in a new way... something I haven't encountered before or something I have encountered that I see in a new way.
An Outside Context Problem was the sort of thing most civilisations encountered just once, and which they tended to encounter rather in the same way a sentence encountered a full stop.
I know there is gender imbalance in the spec fic field, and it concerns me very much. We live in a gender-biased world. There have been some fascinating discussions and studies on this on the internet in recent years. There seem to be a lot of women writing spec fic and not as many getting published, or otherwise taken seriously. While it seems there is less overt bias against women writers compared to a few decades ago, there are still institutionalized biases, subtler biases that are harder to discern. I think these are serious issues that deserve examination by the community.
If a woman is surrounded by lovers or if a woman has a lot of guys asking her out, that's considered wonderful. As a woman who's slept with a lot of men, I've always been complimented on my ability to attract men.
Even fake news tries to convince us of its reality, but it does so mostly by appealing to your preconceived notions, your shared biases, or your prejudice. How to do the opposite? To create a sense of the real and then challenge your biases. I think that is my favourite aspect of writing, and that is what I've tried to do in 'The Lovers.'
What fame does is there is an illusion of familiarity that is cast into the world. So it's about negotiating with that illusion because, oftentimes, you encounter people who have encountered you, but you haven't encountered them. It's a little weird to find your footing.
I met a lot of people in Europe. I even encountered myself.
As a woman, as a Jew, as a lesbian, as a labor leader in a time of great anti-union animus, I know that other people project their biases on me. But it is nothing like the experience of our African-American brothers and sisters, especially black and brown men and boys.
I think prejudice has gotten to a point where a lot of people hold biases in their mind and don't even realize that they're doing it, because it's deeply ingrained in the fabric of what it means to be an American.
I've encountered a lot of people who sound like critics but very few who have substantive criticisms. There is a lot of skepticism, but it seems to be more a matter of inertia than it is of people having some real reason for thinking something else.
[In school] I encountered authority of a different kind than I had ever encountered before, and I did not like it. And they really almost got me. They came close to really beating any curiosity out of me.
I found college useful for a lot of other reasons. It exposed me to a great many influences I wouldn't otherwise have encountered, and gave me a lot of time with some very intelligent people whose thoughts are still with me.
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