A Quote by Elayne Boosler
While editors and newspaper owners currently fret over shrinking readership and lost profits, they do the one thing that insures cutting their own throats; they keep reducing space for the one feature that attracts new young readers in the first place; the comic strips.
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I think in daily newspapers, the way comic strips are treated, it's as if newspaper publishers are going out of their way to kill the medium. They're printing the comics so small that most strips are just talking heads, and if you look back at the glory days of comic strips, you can see that they were showcases for some of the best pop art ever to come out.
It used to be if you wanted to do a newspaper comic, you had to appeal to a pretty big chunk of the newspaper's readership for them to want to keep you around. 'Dilbert' would be office humor, but even that is pretty widely experienced.
The butcher with his bloody apron incites bloodshed, murder. Why not? From cutting the throat of a young calf to cutting the throats of our brothers and sisters is but a step. While we ourselves are living graves of murdered animals, how can we expect any ideal conditions on the earth?
When I was a young comic in New York and I wasn't getting any work, I was wandering around the Lower East Side with my notebook. I would stop at the guitar place on St. Mark's and talk to that dude for a while, then I'd go to the bookstore and talk to that dude for a little while. I had a guy over at the record store, and I'd talk to him for a while. It kept me connected to life.
What I wanted to do was to get that sense of being in touch with this lost world while holding onto what draws readers and audiences there in the first place.
In Brazil we have a comic strip in the newspaper. That one also attracts a different kind of followers.
Don't try to guess what sort of thing editors want to publish or what you think the country is in a mood to read. Editors and readers don't know what they want to read until they read it. Besides, they're always looking for something new.
When the BBC decided to bring Doctor Who back as a feature film a few years ago, one national newspaper ran a poll to ask its readers who should be the new Doctor, and I topped it.
Well, I've been a big fan of comic books since I was a little kid. In fact, I used to write and draw my own comic books when I was on the old Lost in Space series.
I think in daily newspapers, the way comic strips are treated, it's as if newspaper publishers are going out of their way to kill the medium.
We've been growing our readership every month, and we're kind of like, where are they all coming from? This is wonderful! And I think one of the best surprises was that you hear so often that young women don't care about feminism, that young women don't identify as feminists. But really, the majority of our readers are young women. So to see so many young people kind of get involved and really take to Feministing.com was a really exciting thing.
In the 1950s we use to feel that television was taking away our comic readership; with today's exciting, powerfully visual movies I have to wonder about their effect on the kids' loyalty to the comic book medium all over again.
It used to be that comic strips were the big thing, and comic books were toilet paper.
While readers know that advertisements keep the product cost low, they still buy a newspaper for its editorial content and not for its advertisements.
I always think of "Popeye" and "Barney Google" as quintessential comic strips in that old rollicky, slapstick way we've sort of lost.
While I'm critical to the Bush presidency, it's been enormously beneficial for Salon because we're seen as kind of an aggressive watchdog on the Bush White House. Particularly since Florida, our readership hit a whole new level, and we held onto those readers.
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