When I played the Sahara Hotel in Las Vegas on New Year's Eve, I got to bring Wiley, my 85-pound black lab. He's responsible for my favorite New Year's memory of all: At the end of the show, he ran onstage and then out across all the tables in the showroom, sending champagne glasses and gamblers flying.
When I stopped wanting my New Year's Eve to be perfect, to bring in the New Year right, is when it started working out right. When I was young, I was always looking for the best party to be at, to ring in the New Year, and I always ended up in the car going, "Happy New Year."
All my memories of being in Las Vegas with Bobby were great. Frank Sinatra brought us to the Sands Hotel in 1965. When we worked that lounge, it was a great lounge. I think it was bigger than the showroom. We were two 25-year-old dumb kids from Orange County in Las Vegas with The Rat Pack.
A happy New Year! Grant that I May bring no tear to any eye When this New Year in time shall end Let it be said I've played the friend, Have lived and loved and labored here, And made of it a happy year.
I like to work on New Year's Eve. It has a nice spirit; a nice feel about it. If you are all about the 'year-end' thing at all, then laughing with fellow human beings is a great way to start the new year.
I go to Las Vegas--or at least I went to Las Vegas--because even though I knew everything that was sinister, calculating, and evil about it, I loved Las Vegas. Only in Vegas could I dare to fantasize that I was a Friend of Frank. Or that I was throwing the dice at Dino's favorite table. Or that I might luck out and sip bourbon with Rickles after his last lounge show. The D.I. oozed that kind of heady fantasy.
I got a hotel room at New York New York in Las Vegas and I was very happy. They've got that rollercoaster encircling the entire premises, just like Manhattan.
Guests love to be 'wowed' in Las Vegas. They enjoy and embrace new tastes, new flavors, and they come to expect the unexpected in Las Vegas.
The last time I saw Elvis was when I played my second New Year's Eve show for him in 1970.
The requests started coming in from other prisoners all over the United States. And then the word got around. So I always wanted to record that, you know, to record a show because of the reaction I got. It was far and above anything I had ever had in my life, the complete explosion of noise and reaction that they gave me with every song. So then I came back the next year and played the prison again, the New Year's Day show, came back again a third year and did the show.
Games were moved to New Year's Eve as part of a plan by college football executives where they want to create a tradition of watching football on New Year's Eve.
What was pretty crazy was to plan a wedding around a tour. It felt very getting-hitched-in-Vegas style. It was like, we played a show in Salt Lake City, ran to New Mexico, we got married, and then I was off to Lisbon.
My New Year’s Eve Toast: to all the devils, lusts, passions, greeds, envies, loves, hates, strange desires, enemies ghostly and real, the army of memories, with which I do battle — may they never give me peace. (New Year's Eve, 1947)
We played New Year's Eve in Los Angeles, maybe 1978, opening for Kansas or somebody. Driving to the hotel after the gig, we came on KLOS. It was like, 'All right! We're in L.A., we just played a big gig, and we're on the radio!' That was the start of something big.
We were going to do 'Reno 911!: New York, New York, Las Vegas,' which was like a 'Die Hard' set not in New York, but in the New York, New York casino in Las Vegas. We were really excited about being locked into the one casino and doing a bad action movie.
We ended up New Year's Eve playin' a show. My date had stood me up, and I remember walkin' back to my friends with, like, two minutes before midnight and thinkin', 'I'm not gonna have anybody to kiss on New Year's.' And there she was, standin' right there, and I remember kissin' her, and then that was game over.
New Year's was insane! It was the best show I've ever played for New Year's.