A Quote by Elbert Hubbard

Put yourself in the other man's place and then you will know why he thinks certain things and does certain deeds. — © Elbert Hubbard
Put yourself in the other man's place and then you will know why he thinks certain things and does certain deeds.
There is a reason why the other man thinks and acts as he does. Ferret out that reason — and you have the key to his actions, perhaps to his personality. Try honestly to put yourself in his place.
Changing your life does not always mean that you stop doing certain things. It may mean that you start doing certain other things. What you really want to do is nurture the attitude that you are open to learning more about yourself. Accepting more about yourself. This is what will inspire you to do something new.
You know how you let yourself think that everything will be all right if you can only get to a certain place or do a certain thing. But when you get there you find it's not that simple.
That’s what painting does; it organizes vision in a certain way or suggests that certain things be paid attention to and certain other things not be paid attention to. It functions in that way to a certain extent in our civilization.
In the final exam in the Chaucer course we were asked why he used certain verbal devices, certain adjectives, why he had certain characters behave in certain ways. And I wrote, 'I don't think Chaucer had any idea why he did any of these things. That isn't the way people write.' I believe this as strongly now as I did then. Most of what is best in writing isn't done deliberately.
My choice of colors does not rest on any scientific theory; it is based on observation, on feeling, on the experience of my sensibility. Inspired by certain pages of Delacroix, an artist like Signac is preoccupied with complementary colors, and the theoretical knowledge of them will lead him to use a certain tone in a certain place. But I simply try to put down colors which render my sensation.
I think that is one of the things that is beautiful about fiction and that you can do through drama. If I was a detective, I could make a certain version of everything we know to be exactly true. And that would have a certain kind of truth value. And there are certain other things that we know that are emotionally true.
I sort of expose the truth about common misconceptions, or you know, investigate why we do certain things culturally, why we have certain traditions, and ask the question, 'is this really the best way we can be doing things?'
Some things you just can't question. Like you can't question why two plus two is four. So don't question it, don't try to look it up. I don't know who made it, all I know is it was put in my head that two plus two is four. So certain things happen. Why does it rain? Why am I so sexy? I don't know.
Everything passes away-suffering,pain, blood, hunger,pestilence. The sword will pass away too, but the stars will remain when the shadows of our presence and our deeds have vanished from the Earth. There is no man who does not know that. Why, then, will we not turn our eyes toward the stars? Why?
[M]an is condemned to be free. Condemned, because he did not create himself, in other respect is free; because, once thrown into the world, he is responsible for everything he does. The Existentialist does not believe in the power of passion. He will never agree that a sweeping passion is a ravaging torrent which fatally leads a man to certain acts and is therefore an excuse. He thinks that man is responsible for his passion.
I'm a very goal-oriented person in certain ways, and then in certain ways I understand that there's nothing at all that I can do about certain things. In other words, I would never set a goal that I don't have control over achieving.
I think about the characters I've created, and then I sit down and start typing and see what they will do. There's a lot of subconscious thought that goes on. It amazes me to find out, a few chapters later, why I put someone in a certain place when I did.
How is it possible for one’s heart to be certain that one is going to meet Allah, that Allah sees and hears all that he does, and knows his secret open affairs, and that he will be made to stand before Allah, answerable for all his deeds - how can one be certain and aware of all of this, and yet persist upon things which displease Allah; persist upon abandoning Allah’s orders, neglecting His rights, and yet claim that he has good expectation of Allah?
I think about the characters I've created and then I sit down and start typing and see what they will do. There's a lot of subconscious thought that goes on. It amazes me to find out, a few chapters later, why I put someone in a certain place when I did. It's spooky.
Things separate from their stories have no meaning. They are only shapes. Of a certain size and color. A certain weight. When their meaning has become lost to us they no longer have even a name. The story on the other hand can never be lost from its place in the world for it is that place.
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