A Quote by Eleanor Brown

Every room has a mood or personality...and it is this that one desires to develop. — © Eleanor Brown
Every room has a mood or personality...and it is this that one desires to develop.
I've always been a very sensitive person, and people tell me that if I'm in a certain mood, and I go into a room, my mood will permeate the room. It's not on purpose - I'd rather be invisible in those moments - but I'm really bad at faking how I feel.
You can only be in a bad mood for so long before you have to face up to the fact that it isn't a bad mood at all; it's just your sucky personality.
In preindustrial times, the idea of creating something was more related to your personality. Personality was something that you constructed; it's something you had to actively develop and work on. Now personality is something that you have.
My idea of a perfect surrealist painting is one in which every detail is perfectly realistic, yet filled with a surrealistic, dreamlike mood. And the viewer himself can't understand why that mood exists, because there are no dripping watches or grotesque shapes as reference points. That is what I'm after: that mood which is apart from everyday life, the type of mood that one experiences at very special moments.
You might think that it would he the natural desire of every man to develop as an independent personality, but this does not seem to be true.
I think there's huge room for a personality who can create a following, and that personality can be a person or a company.
If I want to free myself from endless cycles of struggling with temptation, I need to keep rediscovering that the pain of the struggle is greater than the pain of the desire. If I develop the habit of restraining myself, I'll enjoy the relief of feeling the desires pass, and I'll remember that desires are not the problem. Feeling pushed around by them is. I'll continue to have desires, of course, because I'm alive, but they'll be more modest in their demands.
The attitude is in my personality. It's going to come out in the songs no matter what. If you're pushing the vocal constantly at 10, there's no room for any dynamics. There's no room for any variation in tone. There's no room for anything.
Nothing stops the man who desires to achieve. Every obstacle is simply a course to develop his achievement muscle. It's a strengthening of his powers of accomplishment.
We have to distinguish between a man as he is in essence, and as he is in ego or personality. In essence, every person is perfect, fearless, and in a loving unity with the entire cosmos; there is no conflict within the person between head, heart, and stomach or between the person and others. Then something happens: the ego begins to develop, karma accumulates, there is a transition from objectivity to subjectivity; man falls from essence into personality.
There were personality clashes in Free, really. I think it's as simple as that; I think we felt we weren't leaving each other enough room to develop in our own way, and we were restricting each other. So we said, let's go different ways.
Burzum is the reflections of my personality. It's my dreams and desires.
I can't tell you about acting. You can develop all the skills, voice, gesture, movement, you can develop by exercise and practice but finally fundamentally it's mining from yourself, from your own personality, from what you know. If you can't know it you can have a good guess by people you know or books you've read.
When I go on the set, I'm so rushed. When I see the actors at rehearsal, when I love it, I want to keep the mood - my mood and the actors' mood also. So I have to push the crew faster. I don't want to lose the mood.
In every adult there lurks a child— an eternal child, something that is always becoming, is never completed, and calls for unceasing care, attention, and education. That is the part of the personality which wants to develop and become whole.
What's important is that people realize that I can't be put into a box musically. I've studied all forms of music; I know probably more Jay-Z songs than the biggest Jay-Z fan. I've studied R. Kelly to the Isley Brothers to Stevie Wonder to Sting and Sade. You don't have one personality every day. You don't have one mood.
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