A Quote by Eleanor Catton

I really wanted to write an adventure story, a murder-mystery that was set during the gold-rush years in New Zealand. — © Eleanor Catton
I really wanted to write an adventure story, a murder-mystery that was set during the gold-rush years in New Zealand.
My second novel, 'The Luminaries,' is set in the New Zealand gold rushes of the 1860s, though it's not really a historical novel in the conventional sense. So far, I've been describing it as 'an astrological murder mystery.'
The books that really made an impact on me were not set in New Zealand. Some were New Zealand novels, but the New Zealandness of them was not what carried me or excited me.
New Zealand is a pretty no-nonsense place to work like Australia. I mean it doesn't falter to anyone. There's a nice sense of reality on the set and it's really enjoyable. There's a good camaraderie and a good banter between the obviously New Zealand and Australian rivalry.
Adventure is something you seek for pleasure, or even for profit, like a gold rush or invading a country;...but experience is what really happens to you in the long run; the truth that finally overtakes you.
My dad liked more macho adventure books like Shogun or spy novels. My mother reads murder mysteries. In fact, so does her mother, my grandma. That's where I trace the familial line of murder mystery obsession.
I was living in the U.K. I was back in New Zealand for the New Zealand Music Awards, which is like our annual New Zealand GRAMMYs.
'Heavenly Creatures' was really the idea of Fran Walsh. It was a very famous New Zealand murder case, but not one that people knew much about.
I write because to write a new sentence, let alone a new poem, is to cross the threshold into both a larger existence and a profound mystery. A thought was not there, then it is. An image, a story, an idea about what it is to be human, did not exist, then it does. With every new poem, an emotion new to the heart, to the world, speaks itself into being.
It was difficult, and yet I was very eager to do it. It was a really odd thing. I really wanted to do that story. I really wanted to write the death of Captain Kirk. I really wanted to do it in the movie.
I was in Siena and decided I wanted to write a story set there. Then I discovered that the original story of Romeo and Juliet was set in Siena. It occurred to me that this was too much of a gift - I had to do it. That's how I ended up writing a parallel story to Romeo and Juliet.
All my friends who wanted to write had got nowhere trying to write the great European novel. So I deliberately steered clear of that and set out to write something story-led.
I moved from New Zealand to Melbourne when I was 17. I'd planned to go to university to study French, but I was offered a contract to write and record an album that was too good to pass up. Looking back now I think that was pretty young but, at the time, I was ready to have an adventure.
I've never been to New Zealand, but I can imagine it's beautiful. I don't know much about New Zealand... but I do know that I did watch 'Lord Of The Rings' so it looks really pretty.
I've wanted to write a ghost story for years, and my main aim was to write the most frightening ghost story that I could think of.
I like taking genres and subverting them. I did that with 'In the Valley of Elah.' I said, 'Okay, this is just a murder mystery. Relax.' And then, two thirds of the way through, I broke every convention of a murder mystery.
I like taking genres and subverting them. I did that with In the Valley of Elah. I said, "Okay, this is just a murder mystery. Relax." And then, two thirds of the way through, I broke every convention of a murder mystery.
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