A Quote by Eleanor Catton
The challenge that I set for myself was to see whether or not plot and structure could coexist, and why it was that we had to always privilege one above the other.
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Obviously, a theatrical masterpiece needs more than a plot; many television shows are nothing but plot, and it is doubtful that they will stand the test of time. But I also don't think that making fun of plot or acting like we're all somehow 'above' structure is such a good idea.
I've never really been aware of what is said about me, whether it's positive or negative. I ignore it. I've always had the mind-set: 'No one can challenge me better than myself.'
I think a challenge for myself is to see how many times I can get above 9,000. That would be a good challenge.
Do you suppose that I should have lived as long as I have if I had moved in the sphere of public life, and conducting myself in that sphere like an honorable man, had always upheld the cause of right, and conscientiously set this end above all other things? Not by a very long way, gentlemen; neither would any other man.
Writing is a particular kind of frustration, which is why when I was making the structure for the novel I visualized it for myself with a color-coded board so I could see it.
Every time I read anything, whether it be a book, a script, or anything, I automatically imagine myself as the boy in the plot. I don't know why. Seriously, anything. If I'm reading a magazine article or whatever, I picture myself as the kid people are talking about. It's really weird. I don't know why I do that.
I feel that, you know, the enormous luck I've had in being able to make a living, and to never have had to have written one word that I didn't want to write, to be able to have satisfied that dictum I set for myself, which was not to work for pay, but to be paid for my work - just to be able to satisfy those standards that I set for myself has been an enormous privilege.
I loved living with my parents - that's probably why I did it for so long. But it was almost too easy to live there. I had to force myself to get out, had to challenge myself. I had to start a new chapter.
Most theorists suspect that space has an intricate structure - that it is 'grainy' - but that this structure is on a much finer scale than any known subatomic particle. The structure could be of an exotic kind: extra dimensions, over and above the three that we are used to (up and down, backward and forward, left and right).
I recognize this in my writing process. A consistent writing structure opens the door to amazing insights. I recognize the truth of this in my daily habits. When I set my keys in the place I, with practice, always set my keys... I do not lose them. In many instances an ordered external structure can be an invitation for an extraordinarily unfettered, creative and unbounded inner structure.
I knew that somewhere God was laughing. He had taken the other half of my heart, the one person who knew me better than I knew myself, and He had done what nothing else could do. By bringing us together, He had set into motion the one thing that could tear us apart.
Do you ever wonder whether people would like you more or less if they could see inside you? But I always wonder about that. If people could see me the way I see myself—if they could live in my memories—would anyone, anyone, love me?
The biggest challenge for me, as an actor, is to be informed, prepared and focused, at the same time. I had to just keep on working, prepping, reading and imagining, all the way through, but the biggest challenge is always to let go of all that and just be open to others. That's what we do, as actor. We play with each other and we stimulate each other, and we have to be prepared to be stimulated by the other. That's always my big challenge.
The truth is that good and bad coexist; sour and sweet coexist. They aren't really opposed to each other.
Thus, I always began by assuming the worst; my appeal was dismissed. That meant, of course, I was to die. Sooner than others, obviously. 'But,' I reminded myself, 'it's common knowledge that life isn't worth living, anyhow.' And, on a wide view, I could see that it makes little difference whether one dies at the age of thirty or threescore and ten-- since, in either case, other men will continue living, the world will go on as before. Also, whether I died now or forty years hence, this business of dying had to be got through, inevitably.
I didn't know initially whether I'd like doing TV and whether I'd be able to work with other people. I've always done my own thing. I've never put myself into that situation, but it's the most fun I've had in years.
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