A Quote by Eleanor Catton

When I was writing 'The Luminaries,' I read a lot of crime novels because I wanted to figure out which ones made me go, 'Ah! I didn't know that was coming!' — © Eleanor Catton
When I was writing 'The Luminaries,' I read a lot of crime novels because I wanted to figure out which ones made me go, 'Ah! I didn't know that was coming!'
My first attraction to writing novels was the plot, that almost extinct animal. Those novels I read which made me want to be a novelist were long, always plotted, novels - not just Victorian novels, but also those of my New England ancestors: Herman Melville and Nathaniel Hawthorne.
I must say, it was a lot easier writing novels than I thought it would be. I think it's because I'm a novelist at heart, and it took me a while to figure that out.
In researching 'The Luminaries,' I did read quite a lot of 20th-century crime. My favourites out of that were James M. Cain, Dassiell Hammett, Raymond Chandler and Graham Greene and Patricia Highsmith.
I grew up reading crime fiction mysteries, true crime - a lot of true crime - and it is traditionally a male dominated field from the outside, but from the inside what we know, those of us who read it, is that women buy the most crime fiction, they are by far the biggest readers of true crime, and there's a voracious appetite among women for these stories, and I know I feel it - since I was quite small I wanted to go to those dark places.
Read. Read. Read. Read many genres. Read good writing. Read bad writing and figure out the difference. Learn the craft of writing.
A lot of people say I've missed out on a lot because I started acting at such a young age. What's so obvious to me is that I actually was really lucky. I gained a lot and I got a head start in what I wanted to do in life. A lot of people in their late 20s, early 30s are just beginning to figure out where they want to go.
I never read detective novels. I started out in graduate school writing a more serious book. Right around that time I read 'The Day of the Jackal' and 'The Exorcist'. I hadn't read a lot of commercial fiction, and I liked them.
When I was young, about 18 or 19, I read all the Dostoyevsky novels, which made me want to go to St. Petersburg. So I went, and I was so inspired.
When I am writing novels I don't read a lot of novels so I try to catch up in-between.
Eventually, I realised that I wanted to try to create something myself, and that's what writing novels is. Not because I wanted to put myself in front of the world, but because I wanted to create something that would go out into the world.
When I first had a child, I really had a hard time trying to figure out how it was all going to fit together. Because I felt like, when I was with him, I wanted to be writing and I should be writing. And when I was writing, I felt like I should be with him, and wanted to be with him. So I was unhappy a lot.
I read a lot of thrillers, especially American crime novels.
I never struggled with trying to figure out what it was I wanted to do or what made the sparks go for me.
I had wanted to write English crime novels based on the American hard-boiled style, and for the first two novels about Brixton, the critics didn't actually know I was Irish.
I have always loved to read, and now that I have penned 10 novels and a few magazine articles, I have fallen seriously in love with writing stories and seeing them go out into the world. It's magical, you know?
I was unhappy and I couldn't figure out what was the matter. And he told me to go take a writing course. And I didn't even know that one could learn to write in writing courses.
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