A Quote by Eleanor Clark

To be first-rate at anything you have to stake your all. Nobody's an artist 'on the side'. — © Eleanor Clark
To be first-rate at anything you have to stake your all. Nobody's an artist 'on the side'.
As an artist your first loyalty is to your art. Unless this is the case, you're going to be a second-rate artist.
Nothing can injure a man's writing if he's a first-rate writer. If a man is not a first-rate writer, there's not anything can help it much. The problem does not apply if he is not first rate because he has already sold his soul for a swimming pool.
If you go to a second-rate place, and you are first-rate, it is very difficult to do first-rate work because you do not get that critical feedback you need for first-rate work on a daily basis.
I remember specifically, in the summer of 2002, the rate of women infected with HIV/AIDS was beginning to match the rate of men, and nobody was talking about it. It was as if it was on nobody else's radar. I had made up my mind to do something about it.
Because Ivy [Wilkes] is just starting out as an artist, I wanted to focus on [Georgia] O'Keeffe's experiences when she was just starting out. I suspect there is a difference between being an unknown artist and being a celebrated artist. When nobody knows your work, nobody except you really cares whether or not you paint.
You might lose your spontaneity and, instead of composing first-rate Gershwin, end up with second rate Ravel.
I am an artist. For me, a picture is like poetry. When you make art, this is not coming from an intellectual place. It's coming from the deep side of your unconscious, your soul. And you are like in some kind of possession, where you are doing anything to get the visual. You become another person. You're becoming an artist in action. And then a lot of miracles come. A lot of discovering. It's a very complicated thing.
An artist, to achieve anything in art, has to finally do the thing that nobody else wants to do and nobody else has thought to do.
Leaden trumpets spit the soot of power they say"I'm on your side when nobody is, cause nobody is.Come sit right here and sleep while I slip poison in your ear
I once did something right. I played first-rate basketball. I really did. And after you're first-rate at something, no matter what, it kind of takes the kick out of being second-rate.
The qualities of a second-rate writer can easily be defined, but a first-rate writer can only be experienced. It is just the thing in him which escapes analysis that makes him first-rate.
Everybody's playing the game but nobody's rules are the same... Never make a promise or plan. Take a little love where you can... Never stay too long in your bed. Never lose your heart, use your head... Never take a stranger's advice. Never let a friend fool you twice... Never be the first to believe. Never be the last to deceive... Never leave a moment too soon. Never waste a hot afternoon... Never stay a minute too long. Don't forget the best will go wrong... Better learn to go it alone. Recognise you're out on your own. Nobody's on nobody's side.
When you are the woman upstairs, nobody thinks of you first. Nobody calls you before anyone else, or sends you the first postcard. Once your mother dies, nobody loves you “best of all.” It's a small thing, you might think, and maybe it depends on your temperament, maybe for some people it's a small thing, but for me [...]
It's a very obsessive profession that you need to stay obsessed to get anywhere, and it's very easy for us to get obsessed and then nothing else matters. I was reading Somerset Maugham's novella, Moon and Sixpense, about this artist based on Gauguin's life. It was so beautifully written. You must be first rate because second rate you might not survive. If you're an accountant, you'll survive second rate. If you chance it big, you may not get anywhere.
Your path is your own, but you must walk side by side with others, with compassion and generosity as your beacons. If anything is required it is this: fearlessness in your examination of life and death; Willingness to continually grow; and openness to the possibility that the ordinary is extraordinary, and that your joys and your sorrows have meaning and mystery
First become alone. First start enjoying yourself. First love yourself. First become so authentically happy that if nobody comes it doesn't matter; you are full, overflowing. If nobody knocks at your door it is perfectly okay; you are not missing. You are not waiting for someone to come and knock at the door. You are at home. If somebody comes: good-beautiful. If nobody comes that too is beautiful and good.
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