A Quote by Eleanor Mondale
The reporting I did was mostly entertainment or lifestyle. I took a very different approach than most reporters. I approached it more casually than you would think a reporter would. Now I'm a morning radio personality, and radio is really casual.
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Radio, or at least the kind of radio we're proposing to do, can cut through that. It can reach people who would otherwise never hear your work, and of course I find that very notion inspiring. Radio stories are powerful because the human voice is powerful. It has been and will continue to be the most basic element of storytelling. As a novelist (and I should note that working my novel is the first thing I do in the morning and the very last thing I do before I sleep), shifting into this new medium is entirely logical. It's still narrative, only with different tools.
I don't think I ever won't do radio. I feel like, between the radio, the podcast, the books, even social media, you have to be a personality eleven places now, or you're not a personality anywhere.
You gotta start somewhere. It is what it is. People listen to Soundcloud more than the radio. So why would you put your music on the radio first?
Charlamagne Tha God on 'The Breakfast Club' is, in my opinion, the best personality on the radio right now. We talk weekly. We couldn't be any different format wise, but we have a very similar background and approach.
If I weren't playing baseball, I would be a radio or sports broadcaster. In college at South Carolina I did some stuff with the radio station and really liked it.
I hope radio is more popular than it might seem. There aren't that many radio plays on and I think they have a bit of a bad rep for being not very gripping or low budget or on at funny times.
I began in radio in 1997 on a radio show hosted by a now very famous comic, Jamel Debbouze. I would fake call listeners.
When I was on the radio, I used to be able to go a lot farther than I can now. You don't really remember until you're on the radio again, sometimes in your old radio station and sitting with the guys you used to work with and you go, 'Oh yeah, I can't say these things anymore. I'm handcuffed.'
There was a time when people would go search out underground records. Now, underground means free, and people don't really care for it. So now artists tend to go more pop and look for the radio. You know, the radio never wanted you to speak about anything, so the music is kinda influenced by the hands of the radio which wants to homogenize it and dilute it and sanitize it. And for the most part, nobody's takin' the time to seek out the cats that are still tryin' to talk, so they have a difficult time being heard, like Chuck D said.
People make a big deal about podcasts but it's basically an online radio show with the sound effects and sidekicks, but because you can curse it's more like satellite radio. Most of the podcasters were morning guys who were fired when Clear Channel decimated the radio landscape.
We were number one most added at radio, when the single came out and that's much different. It took like eight months for any radio to happen on the first record, so a lot more support has happened right out of the box.
The radio voice, you're in the studio, there's nobody around, and you're using your personality and enunciation skills to get the message across. At the stadium, there are vendors, there are people, the fans talking to each other. It's very difficult. If you were to speak as a radio disk jockey, no one would ever understand what you're saying.
I still listen to Radio 1. I never really matured or progressed to Radio 2 or even Radio 4, like most of my contemporaries.
I wonder if this reason is partly geographical, that talk radio is so much more successful in North America than in Britain? People who are very remote - I'm thinking of Newfoundland - feel very connected though the radio.
In Europe, radio stations are owned by a variety of different entities, so there is less uniformity on radio programming and more opportunity for artists to get radio play and break overseas.
It did suffer and it became very weak, while the reporters from Iraqi radio and television stations were more active and had more accurate information.
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