A Quote by Eleanor Robson Belmont
We use important words too frequently and they lose value; for instance, charm and great. An actor or musician often is proclaimedgreat when we really mean he is outstanding.
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I have this theory that the more important and intimate the emotion, the fewer words are required to express it. For instance in dating: 'Will you go out with me?' Six words. 'I really care for you.' Five words. 'You matter to me' Four words. 'I love you.' Three words. 'Marry me.' Two words. Well, what's left? What's the one most important and intimate word you can ever say to somebody?
'Goodbye...'
Words are not too old, only people are too old if they use the same words too frequently.
In the founders of great families, titles or attributes of honor are generally correspondent with the virtues of the person to whom they are applied; but in their descendants they are too often the marks rather of grandeur than of merit. The stamp and denomination still continue, but the intrinsic value is frequently lost.
So for instance in rap music, you very often hear words that would seem very racist, or very misogynous or very homophobic but in some of those instances, the words are being taken back or redefined so that they lose their injurious quality.
I'm frequently surprised, sometimes bugged off, and sometimes happy, depending on the actor. It's a fact of life that just as often as not an actor can breathe life into a line as he can destroy it by misinterpretation, and I've been blessed frequently by having good actors.
Value can mean a price. Value can mean exclusivity. Value can mean, 'I can't get it anywhere else, and this is really something I want.'
I want to be taken seriously as the type of musician that plays stuff like an electric rake. I mean, how seriously do you take someone like Spike Jones? They take him pretty seriously - a really good musician who made a great contribution in terms of humor, which is part of what I try to do too.
There are two words that you should use frequently in your youth: ´sorry´ and ´thank-you´. Use the first one as often as possible, so that on your death bed all that you have to say to your friends is ´thank-you!´.
Stage charm guarantees in advance an actor's hold on the audience, it helps him to carry over to large numbers of people his creative purposes. It enhances his roles and his art. Yet it is of utmost importance that he use this precious gift with prudence, wisdom, and modesty. It is a great shame when he does not realize this and goes on to exploit, to play on his ability to charm.
I'm always writing. And, I mean, I always counsel people when they call me a musician: I really do not have the skills of a musician. I really don't think like a musician, though I love music and I perform and sing.
There's something really natural to me about being what they call in the business a "hyphenate." Being a musician-actor or writer-musician-actor.
What an actor says is much, much less important than a life, so that's the great use for improvisation; you go, you find the life and then you add the words.
Familiarity with any great thing removes our awe of it. The great general is only terrible to the enemy; the great poet is frequently scolded by his wife; the children of the great statesman clamber about his knees with perfect trust and impunity; the great actor who is called before the curtain by admiring audiences is often waylaid at the stage door by his creditors.
Acting doesn't have anything to do with listening to the words. We never really listen, in general conversation, to what the other person is saying. We listen to what they mean. And what they mean is often quite apart from the words. When you see a scene between two actors that goes really well you can be sure they're not listening to each other - they're feeling what the other person is trying to get at. Know what I mean?
Don't use words too big for the subject. Don't say 'infinitely' when you mean 'very'; otherwise you'll have no word left when you want to talk about something really infinite.
When you're casting a movie and when you're shooting a film, the eyes are the most important feature of any performer, really. Any great actor literally knows exactly how to use their eyes, and even as a filmmaker I love shooting huge close-ups because it's those eyes that mean so much to me.
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