A Quote by Eleanor Roosevelt
I believe you should tell the story of injustices, of inequalities, of bad conditions, so that the people as a whole in this country really face the problems that people who are pushed to the point of striking know all about, but others know practically nothing about.
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I don't want to have, with all the problems America has and all of the problems that you see going on, hundreds of thousands of people coming in from Syria when we know nothing about them. We know nothing about their values and we know nothing about their love for our country.
It is good to come to a country you know practically nothing about. Your thoughts grow still, useless. Everything must be rebuilt. In a country you know nothing about, there is no reference point. You struggle to associate colors, smells, dim memories. You live a little like a child, or an animal. Objects and events may bring things to mind, but in the end they remain no more than what they are in fact. They begin only when you experience them, vanish when others follow.
I don't know why it is, exactly, but the people with the healthiest self-esteem, are also the greatest at intimacy. I'm not talking about arrogant people. I'm talking about people who know they are both good and bad yet believe at the deepest level they are really good for people.
Everybody should leave their country at some point and visit others because you realize we're all people who need a chance to know about each other. That would benefit everyone.
The Internet is allowing for us to really experience people in some of the most distant places in the world - as other people just like us. So get to know people, seek out bloggers from a country you're kind of curious about. It's about building empathy and breaking through to the point of recognizing people as people.
I thought how you can never tell just by looking at them what they were thinking or what was happening In their lives. Even when you got daft people or drunk people on buses, people that went on stupid and shouted rubbish or tried to tell you all about themselves, you could never really tell about them either... I knew if somebody looked at me, they'd know nothing about me, either.
I'm not a big fan of guitar face. You know, when someone's playing guitar, and they make this really embarrassing face, like they smush their lips together and... they look you in the eye and it's really humiliating. You know some people have that really embarrassing guitar face? I remember thinking about this when I was doing the DJing, because... you do have to focus, and that's what happens, it's your focus face. But you're in a movie, so you should probably lock it up.
I think you tell the story that has to be told. You tell the story that's the truth. You tell the story that readers will be interested in and should know about.
I've found great virtue in two-thirds of the way into the message; right before I'm really want to nail home a point, pausing to tell a joke or to tell a light-hearted story, because I know my audience has been working with me now for 20 or 25 minutes. And if I can get them to laugh, get oxygen into their system, it wakes up those who might be sleeping, so there's something about using a story to draw people back in right before you drive home your final point. In that case I think it's real legitimate just to use a story for story's sake.
Some of the songs are inspired by personal things that have happened. Others have been inspired by other people's stories, you know, like someone that witnesses something and so I tell the story through my own eyes. And some songs are just about how I feel about the world and others about the places that we have travelled to.
...when I came back, I found Mom sobbing at the kitchen table...Then I asked her what had happened. 'Nothing,'she said. 'I was thinking about that man...I started thinking about...if he and his wife and their other child are okay, and I don't know. It just got to me.' 'I know,' I said, because I did know. Sometimes it's safer to cry about people you don't know than to think about people you really love.
People ask me about past projects I've worked on, and other things; I'm just really bad at lying. I have a bad poker face, so I just try to tell people how I'm feeling in the moment and really what I was trying to do.
A lot of people will always say, 'I really know nothing about the ancient world.' But there's lots and lots of things people know. Partly, they've been encouraged to think they're ignorant about it. In some ways, the job to do is show people that they know much more than they'd like to admit.
Sometimes you can just tell there's something unique about it, but you can never really truly tell until you show it to a third party - you show it to you friends, or you show it to people you know that know about music like my label or those kinda people.
I tend not to meet the people I write about because I'm not really interested in the people I write about as people. I don't want to know about their family life. I don't want to know about their bad habits or their good deeds. I'm interested in their work.
There was this point about, you know, the basic point there as well - this statute treats some parts of the country different from others, and what's the justification for that? Well, you know, I had eight million things to say about that, but he put it in such a sharp, excruciating way that it was just very hard to handle it effectively.
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