A Quote by Eleanor Smeal

We have so few women in Congress. We are so underrepresented and whether we like it or not, we are in area - in an era that still the women, the handful that are there, have two jobs: they represent the constituency that they're from, and they also represent the women of the nation or the state or sometimes as Maloney has done, of the world.
There's no way I can represent for everyone. I can't represent for all women or all big women or all black women. It's important for people not to make celebrities their source of who they should be in life. I can't take on the pressure of being perfect. Nobody is.
There is no power in the world like that of women ... this most potent constituency we seek to represent, and for their suffrages we sue.
In most cultures, men represent tradition and women represent change and future. Women, because of their ability to give birth, are more connected to future. Men tend to keep the status quo.
Women are still chronically underrepresented in U.S. politics at both a local and national level... But there is one city where those three top jobs will be filled by women for the next year. And that city is Washington D.C.
But Al Jazeera America represents something more than news that isn’t profit or ratings driven — they represent foreign investment in a country where the two-party system outsourced your jobs. They represent facts over opinion and they represent our cultures coming together just a little more, whether you bigots like it or not.
Women are not making it to the top. A hundred and ninety heads of state; nine are women. Of all the people in parliament in the world, thirteen per cent are women. In the corporate sector, women at the top - C-level jobs, board seats - tops out at fifteen, sixteen per cent.
Obama and the liberal Democrats fail to represent the silent majority: the conservative women who are too busy raising families, paying bills, and making a living. These women prefer to listen to Rush Limbaugh, not Nancy Pelosi, and want their children to have jobs and a bright future in this great country.
Guys constantly talk about pornography in two ways: as revenge and as reassurance. When you live in a world in which beautiful, sexy women are all around you, in the same classes, on the same athletic field, competing for the same jobs, then the pornographic world - the world in which women thrill to male sexual desire - reassures men that although they may feel "one down," they're still entitled to women's bodies.
Women are making strides in many areas and women have mentored and supported me along the way. I think that women are underrepresented behind the camera as directors.
I've always tried to be conscious of how I represent women in my work. They don't have to be good or strong women, but they have to be complex.
Just across the ocean in, say Kenya or Tanzania, a two-gender system is vital for the survival of most of the folks who live there. Men do men's work, women do women's work, and so it all gets done and the jackals can't get into the hut and eat grandpa. So, the future of the transgender movement is like the future of all human rights movements: whatever the state of things in your area now, with some work it all gets a little bit better all the time, even if it is sometimes three steps ahead and two steps back.
Whether outside work is done by choice or not, whether women seek their identity through work, whether women are searching for pleasure or survival through work, the integration of motherhood and the world of work is a source of ambivalence, struggle, and conflict for the great majority of women.
I do feel that I have to use my voice for those that don't have one. I have to do the best I can in my own work to represent my culture, represent the women of my country, of Latin America. What we stand for. What we're made of.
We have it in our heads that women only need to take up a certain amount of space and then we've done right by them. It's the same in every profession. We get a handful of women professors, a few female board members - that looks normal.
Economics drive the creative, and for a long time, movies about men were just considered 'movies,' whereas movies about women were considered niche and only appealing to women. This is to an extent still true, and what it does is represent movies about women as less profitable.
Using my own hand as a base material, I considered it a canvas upon which I stitched into the top layer of skin using thread to create the appearance of an incredibly work worn hand. By using the technique of embroidery, which is traditionally employed to represent femininity and applying it to the expression of its opposite, I hope to challenge the pre-conceived notion that 'women's work' is light and easy. Aiming to represent the effects of hard work arising from employment in low paid 'ancillary' jobs, such as cleaning, caring and catering, all traditionally considered to be 'women's work'.
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