A Quote by Eleanor Tomlinson

I'm aware of being pigeonholed in those period drama roles. But, I do love them at the same time. — © Eleanor Tomlinson
I'm aware of being pigeonholed in those period drama roles. But, I do love them at the same time.
I'd love to be in a period drama - that's my obsession. But being a mixed-race actress, there aren't so many roles you're right for.
I love that period, between the '20s and the '60s. I love doing period pieces, and those eras are my favorite period in time, music wise, and the elegance and the way of being.
When I was trying to find work after drama school in London, it felt like the same actors always got the plum roles, especially in television. We have a smaller market place, vastly fewer drama-producing networks, and they seem to compete for the same established names for those projects.
The cool thing about being different in this industry is that you get different roles; you aren't pigeonholed the same way.
I love reading and I love thinking - the reason that I love my books so much is that in order to write them I have to read and to think for years at a time about the same period of time.
There aren't a lot of roles in period movies for black people. It sucks because I love that era. But, I love musicals. I love the show Glee, and I wouldn't mind being on that either.
I think the English public loves period drama. I love watching them myself. It's such a massive part of our TV tastes, even though, as an actor, you don't want to be doing the same thing again and again.
I'm very aware of what you're talking about as I was involved with the radio in Africa in the same period as I was doing Concrete - I was doing both at the same time.
I've only auditioned for one non-culturally specific role. I went through drama school and studied classic texts and played lead roles in 'Measure for Measure' and 'The Importance of Being Earnest' alongside a very culturally diverse group of acting students. But as soon as we graduate and enter the industry, all of those roles fall away.
I was incredibly nervous about doing a period drama. I thought that to play period, you had to be English-looking and blonde and very well spoken, and have gone to drama school.
There's part of me that would love to wear a ruffly collar and do a period drama, but that's not going to happen. You don't have Asians in those sorts of things.
The truest mark of being born with great qualities is being born without envy. Francois Duc de la Rochefoucauld That awareness is my teaching. Never fight with greed, ego, anger, jealousy, hatred - all those enemies that the religions have been telling you, 'Fight with them, crush them, kill them. You cannot kill them, you cannot crush them, you cannot fight with them; all that you can do is just be aware of them.' And the moment you are aware, they are gone. In the light, the darkness simply disappears.
You - I don't think anybody ever forgets the first person they fell in love with. That's something that everybody remembers, and it doesn't matter what the time period is or where; I mean, those feelings are always the same.
I like that 'Broad City' exists, and I love being around at the same time as 'Key & Peele.' I love those guys - I just, I love their faces.
I do agree to a certain extent that it is unfortunate that I have to be a little more aware of being a kid and growing up and figuring out who I am, but at the same time, it's part of what I love.
To be a photographer is to become aware of visible appearances and at the same time acquire from them an education in individual and common optical aperception. Why? Because every individual sees in his own way but see little more than images shaped by the cultural standards of a given period.
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